Hustlers in the Ivory Tower: Press and Modernism from Mallarmé to Proust
Seiten
2024
Liverpool University Press (Verlag)
978-1-80207-473-4 (ISBN)
Liverpool University Press (Verlag)
978-1-80207-473-4 (ISBN)
Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative.
In French literature, newspapers have typically had bad press. Throughout the nineteenth century, French poets and novelists depicted the rapid growth of the press as a corrupting behemoth that was swallowing up art and culture. And yet, towards the end of the century, some writers began to take a more ambivalent approach, pivoting between antipathy and enthusiasm for what had become a massified and ubiquitous cultural phenomenon. ‘No-one truly escapes from journalism,’ as Stéphane Mallarmé put it. Rather than cut themselves off from ‘universal reportage’, he and other leading modernists, including Guillaume Apollinaire and Marcel Proust, came to view newspapers as an essential forum for literary experimentation.
Hustlers in the Ivory Tower explores how the French modernists used newspapers and large-circulation magazines as a ‘literary laboratory’ by publishing poetry and imaginative prose in their pages. Drawing on extensive documentary research, this book looks behind the scenes at wrangling and wheeling-dealing between authors, editors, and publishers that drove the rise of modernist literature in France.
These interactions with the press yielded nuanced, self-conscious portrayals of the tensions between journalism and literature in works of modernist poetry and prose that confront their own journalistic hinterland in unprecedented depth. At once a model and a foil, the newspaper emerges in Hustlers in the Ivory Tower as the locus of French literature’s broader struggle to come to terms with modernity.
In French literature, newspapers have typically had bad press. Throughout the nineteenth century, French poets and novelists depicted the rapid growth of the press as a corrupting behemoth that was swallowing up art and culture. And yet, towards the end of the century, some writers began to take a more ambivalent approach, pivoting between antipathy and enthusiasm for what had become a massified and ubiquitous cultural phenomenon. ‘No-one truly escapes from journalism,’ as Stéphane Mallarmé put it. Rather than cut themselves off from ‘universal reportage’, he and other leading modernists, including Guillaume Apollinaire and Marcel Proust, came to view newspapers as an essential forum for literary experimentation.
Hustlers in the Ivory Tower explores how the French modernists used newspapers and large-circulation magazines as a ‘literary laboratory’ by publishing poetry and imaginative prose in their pages. Drawing on extensive documentary research, this book looks behind the scenes at wrangling and wheeling-dealing between authors, editors, and publishers that drove the rise of modernist literature in France.
These interactions with the press yielded nuanced, self-conscious portrayals of the tensions between journalism and literature in works of modernist poetry and prose that confront their own journalistic hinterland in unprecedented depth. At once a model and a foil, the newspaper emerges in Hustlers in the Ivory Tower as the locus of French literature’s broader struggle to come to terms with modernity.
Max McGuinness is a Teaching Fellow in French at Trinity College Dublin and a theatre critic for The Financial Times.
ACKNOWLEDGEMENTS
INTRODUCTION
CHAPTER ONE: Mallarmé and the Golden Age of French Newspapers
CHAPTER TWO: Petites Revues in the Shadow of the Grande Presse
CHAPTER THREE: Literary Actualité
CHAPTER FOUR: Journalistic Aporias in the Poetry of Apollinaire and His Friends
CHAPTER FIVE: Journalism and the Crisis of the Novel from Gourmont to Proust
EPILOGUE: Modernist Histories/ Modernist Futures
SELECT BIBLIOGRAPHY
| Erscheinungsdatum | 20.03.2024 |
|---|---|
| Reihe/Serie | Studies in Modern and Contemporary France ; 13 |
| Zusatzinfo | 18 Illustrations |
| Verlagsort | Liverpool |
| Sprache | englisch |
| Maße | 163 x 239 mm |
| Themenwelt | Literatur ► Essays / Feuilleton |
| Sozialwissenschaften ► Kommunikation / Medien ► Journalistik | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-80207-473-2 / 1802074732 |
| ISBN-13 | 978-1-80207-473-4 / 9781802074734 |
| Zustand | Neuware |
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