Writing the Radical Memoir
Bloomsbury Academic (Verlag)
978-1-350-27220-0 (ISBN)
- The writer/ reader contract
- How to embark on a thematic/ symbolic exploration of themes and incidents in your life
- How neuro-scientific theory can inform our understanding of memory and recall and what happens to our memories when we remember them
- Character development and the ethics of writing about real people
- How constructing your identity in memoir offers a chance to push back against traditional structures
- That memoir might not be preservation of your past but a process of self-erasure
- How J. M. Coetzee’s Autrebiography trilogy challenges traditional biography
By bringing together lived experience, post-structuralist and postmodernist theories, praxis and artistic vision as a unique approach to writing memoir, this book encourages you to think the self, how it is portrayed, created, erased and made strange through the process of writing and remembering.
Paul Williams is Senior Lecturer in Creative Writing and Deputy Head of Research in the School of Business and Creative Industries at the University of the Sunshine Coast, Australia. He has published prize-winning fiction, young adult novels, memoir, non-fiction and short stories, a series of crime novels, and textbooks on creative writing including Novel Ideas: Writing Innovative Fiction (2019) and Playing with Words: An Introduction to Creative Writing Craft (2016), co-authored with Shelley Davidow. www.paulwilliamsauthor.com Shelley Davidow is an international author of 46 books and Senior Lecturer in the School of Education at the University of the Sunshine Coast, Australia. Recent titles include the memoirs Runaways (2022), Shadow Sisters (2018), Whisperings in the Blood (2016), and the creative writing textbook Playing with Words: An Introduction to Creative Writing Craft co-authored with Paul Williams. www.shelleydavidow.com ; https://www.facebook.com/ShelleyDavidow ; twitter: @shelleydavidow
Introduction: What is radical memoir?
Chapter one: The reader/writer contract: how do we write ‘truth’?
Chapter two: Memoir as cartography: mapping your life
Chapter three: Your life as a hero’s journey
Chapter four: Memory and neuroscience
Chapter five: Turning real people into characters
Chapter six: Writing memoir as decolonial, genre-busting and rule-bending act
Chapter seven: Memoir as erasure
Chapter eight: Collective memoir: writing with others
Chapter nine: Autrebiography
Chapter ten: Biographemes
Conclusion: The magnificent risk of memoir
Erscheinungsdatum | 04.05.2023 |
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Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-350-27220-5 / 1350272205 |
ISBN-13 | 978-1-350-27220-0 / 9781350272200 |
Zustand | Neuware |
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