Hua Yan (1682-1756) and the Making of the Artist in Early Modern China
Brill (Verlag)
978-90-04-42763-1 (ISBN)
Kristen Loring Chiem, Ph.D. (2011), University of California, Los Angeles, is Associate Professor of Art History at Pepperdine University. Her work explores the intersections of gender, painting, and garden imagery in Chinese art.
Contents
Acknowledgments
List of Figures
Introduction
1 Seeing Hua Yan
2 Painting in Early Modern China
1 The Mountain Man of Xinluo
1 Portraiture and Persona
2 The Zhe School Poets
3 The Sojourning Artist
2 Lyricism in Words and Images
1 On Transformation
2 Artist and Patron
3 The Human Experience
4 Singing of the Object
3 Painting the Garden from Life
1 The Art of Social Distinction
2 Hua Yan’s Circle, 1740s and 1750s
3 Garden and Society
4 Picturing People, Past and Present
1 Literary Gatherings as Aspirational Subjects
2 Gender and the Garden
3 Borders, Travel, and Empire
3 Seasons of Life
5 The Xinluo School
1 The Zhejiang Legacy in Yangzhou
2 Defining the Xinluo School
3 The Shanghai School
Epilogue: Lives of Jiangnan Artists, 1700–1900
Bibliography
Index
Erscheinungsdatum | 03.06.2020 |
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Reihe/Serie | Sinica Leidensia ; 148 |
Verlagsort | Leiden |
Sprache | englisch |
Maße | 155 x 235 mm |
Gewicht | 571 g |
Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 90-04-42763-5 / 9004427635 |
ISBN-13 | 978-90-04-42763-1 / 9789004427631 |
Zustand | Neuware |
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