The View from the Back of the Band
The Life and Music of Mel Lewis
Seiten
2016
University of North Texas Press,U.S. (Verlag)
978-1-57441-653-4 (ISBN)
University of North Texas Press,U.S. (Verlag)
978-1-57441-653-4 (ISBN)
Mel Lewis (1929-1990) first picked up his father’s drumsticks at the age of two. At 17 he was a full-time professional musician. The View from the Back of the Band is the first biography of this legendary jazz drummer. For over 50 years, Lewis provided the blueprint for how a drummer could subtly support any musical situation.
Mel Lewis (1929–1990) was born Melvin Sokoloff to Jewish Russian immigrants in Buffalo, New York. He first picked up his father’s drumsticks at the age of two and at seventeen he was a full-time professional musician. The View from the Back of the Band is the first biography of this legendary jazz drummer. For over fifty years, Lewis provided the blueprint for how a drummer could subtly support any musical situation. While he made his name with Stan Kenton and Thad Jones, and with his band at the Village Vanguard, it was the hundreds of recordings that he made as a sideman and his ability to mentor young musicians that truly defined his career.
Away from the drums, Lewis's passionate and outspoken personality made him one of jazz music's greatest characters. It is often through Lewis's own anecdotes, as well as many from the musicians who knew him best, that this book traces the career of one of the world’s greatest drummers. Previously unpublished interviews, personal memoirs, photos, musical transcriptions, and a selected discography add to this comprehensive biography.
Mel Lewis (1929–1990) was born Melvin Sokoloff to Jewish Russian immigrants in Buffalo, New York. He first picked up his father’s drumsticks at the age of two and at seventeen he was a full-time professional musician. The View from the Back of the Band is the first biography of this legendary jazz drummer. For over fifty years, Lewis provided the blueprint for how a drummer could subtly support any musical situation. While he made his name with Stan Kenton and Thad Jones, and with his band at the Village Vanguard, it was the hundreds of recordings that he made as a sideman and his ability to mentor young musicians that truly defined his career.
Away from the drums, Lewis's passionate and outspoken personality made him one of jazz music's greatest characters. It is often through Lewis's own anecdotes, as well as many from the musicians who knew him best, that this book traces the career of one of the world’s greatest drummers. Previously unpublished interviews, personal memoirs, photos, musical transcriptions, and a selected discography add to this comprehensive biography.
Chris Smith was raised in Iowa and began playing the drums at age eight. He holds degrees from Northern Illinois University and Manhattan School of Music, and a doctorate from University of Northern Colorado. He is currently a professional drummer and educator in New York, frequently giving master classes throughout the U.S.
Erscheinungsdatum | 05.10.2016 |
---|---|
Reihe/Serie | North Texas Lives of Musician Series |
Nachwort | John Riley |
Vorwort | John Mosca |
Zusatzinfo | 31 black & white illus |
Verlagsort | Denton |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 560 g |
Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
Kunst / Musik / Theater ► Musik ► Jazz / Blues | |
ISBN-10 | 1-57441-653-7 / 1574416537 |
ISBN-13 | 978-1-57441-653-4 / 9781574416534 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
zur politischen Ästhetik des Jazz
Buch | Hardcover (2023)
Phillip Reclam (Verlag)
CHF 49,90
Die Geschichte des Jazz in Deutschland
Buch | Softcover (2021)
Reclam, Philipp (Verlag)
CHF 31,90