Hello, I am Erik
Erik Spiekermann is one of the best-known graphic designers in the world. He not only represents German typeface and corporate design like no other, but his work and the companies he has founded have had an unparalleled influence on contemporary graphic design around the globe. The visual biography Hello, I am Erik is the first comprehensive exploration of Spiekermann's more than 30-year career, his body of work, and his mindset. Contributions by Michael Bierut, Neville Brody, Mirko Borsche, Wally Olins, Stefan Sagmeister, Christian Schwartz, Erik van Blokland, and others round out this insightful publication.
Erik Spiekermann is one of the best-known typographers and graphic designers in the world. As a teacher and critic who is loved and feared in equal measure, his influence on contemporary graphic design is unparalleled. Spiekermann also represents German typeface and corporate design like no other.
Hello, I am Erik is the first-ever visual biography of Erik Spiekermann's work. The book documents his projects, traces milestones in his life, and offers his personal perspectives on design. Essays by notable designers and authors provide a framework and further context for this vivid presentation of his body of work.
Erik Spiekermann is the epitome of a typographer. With his typefaces, commercial projects, and enterprises, he has shaped the world of graphic design like no other. This comprehensive book is the first to showcase his body of work and tell the story of his life.
Erik Spiekermann is one of the best-known typographers and graphic designers in the world. As a teacher and critic who is loved and feared in equal measure, his influence on contemporary graphic design is unparalleled. Spiekermann also represents German typeface and corporate design like no other.
Hello, I am Erik is the first-ever visual biography of Erik Spiekermanns work. The book documents his projects, traces milestones in his life, and offers his personal perspectives on design. Essays by notable designers and authors provide a framework and further context for this vivid presentation of his body of work.With his design of guidance systems for the Berliner Vekehrsbetriebe (Berlins transportation authority) and Düsseldorf Airport as well as his typeface design for Deutsche Bahn (Germanys national rail system), Spiekermann made sure that not only Germans could better find their way around. With his corporate identities for brands such as Audi, Volkswagen, and Bosch, he also helped establish a sensibility for corporate design in Germany. Yet Spiekermann has also always worked internationally. He is, to name but one example, responsible for the redesign of the magazine the Economist.
Spiekermann is a highly sought after public speaker and regularly gives lectures at leading design conferences and universities around the world. He is, for example, an honorary professor at the University of the Arts Bremen and holds an honorary doctorate from the Art Center College of Design in Pasadena. In his classes and his companies, such as MetaDesign and EdenSpiekermann, he has helped train many of todays top designers.
Although Erik Spiekermann is well respected as one of the international leaders in graphic design, he is neither unapproachable nor pretentious. Many young designers are especially motivated and influenced by his uncomplicated and open way of working with them. His personality is only one of many reasons Spiekermann has earned the admiration of so many throughout the world.The book Hello, I am Erik was edited, written, and designed by Johannes Erler and his office in close cooperation with Erik Spiekermann.The founder of MetaDesign, FontShop, and EdenSpiekermann has been a successful entrepreneur and impulse generator for decades. When Erik Spiekermann founded FontShop International with his wife Joan and Neville Brody, he helped establish the internet as a source for buying fonts. His typefaces FF Meta and ITC Officina have been bestsellers for years and are already considered modern classics by typographers worldwide. Spiekermann now likes to comment on current developments in the world of design via Twitter, where he has more than 250,000 followers. In 2011, he received the German Design Award for lifetime achievement.Johannes Erler is one of Germanys top designers. Until the end of 2010, he created and managed the corporate identities of some of the countrys leading brands and institutions with his agency Factor Design including Wempe, Deutsches Theater, and Süddeutsche Zeitung. In addition to his work in corporate design, Erler is an expert in editorial design. Since 2011, he has served as the art director of the magazine Stern, one of Germanys most widely read weeklies, and was responsible for its recent redesign. Erler is a board member of the German chapter of the Art Directors Club, with a focus on editorial design.
| Erscheint lt. Verlag | 1.8.2014 |
|---|---|
| Sprache | englisch |
| Maße | 287 x 227 mm |
| Gewicht | 1798 g |
| Einbandart | gebunden |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Literatur ► Essays / Feuilleton | |
| Schlagworte | Designer (Einzelne Personen) • Erik Spiekermann • Grafikdesign • Spiekermann, Erik • Typografie • Typographie |
| ISBN-10 | 3-89955-519-8 / 3899555198 |
| ISBN-13 | 978-3-89955-519-6 / 9783899555196 |
| Zustand | Neuware |
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