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Veronica (eBook)

eBook Download: EPUB
2013 | 1. Auflage
272 Seiten
Knopf Doubleday Publishing Group (Verlag)
978-0-307-83332-7 (ISBN)
Systemvoraussetzungen
18,40 inkl. MwSt
(CHF 17,95)
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The extraordinary new novel from the acclaimed author of Bad Behavior and Two Girls, Fat and Thin, Veronica is about flesh and spirit, vanity, mortality, and mortal affection. Set mostly in Paris and Manhattan in the desperately glittering 1980s, it has the timeless depth and moral power of a fairy tale.

As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica--an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal 'office kit' and a plaque that reads 'Still Anal After All These Years.' Improbably, the two women become friends. Their friendship will survive not only Alison's reentry into the seductive nocturnal realm of fashion, but also Veronica's terrible descent into the then-uncharted realm of AIDS. The memory of their friendship will continue to haunt Alison years later, when she, too, is aging and ill and is questioning the meaning of what she experienced and who she became during that time.

Masterfully layering time and space, thought and sensation, Mary Gaitskill dazzles the reader with psychological insight and a mystical sense of the soul's hurtling passage through the world. A novel unlike any other, Veronica is a tour de force about the fragility and mystery of human relationships, the failure of love, and love's abiding power. It shines on every page with depth of feeling and formal beauty.


A finalist for the National Book Award and National Book Critics Circle Award, here is an evocative novel about female friendship in the glittering 1980s. Alison and Veronica meet amid the nocturnal glamour of 1980s New York: One is a young model stumbling away from the wreck of her career, the other an eccentric middle-aged office temp. Over the next twenty years their friendship will encompass narcissism and tenderness, exploitation and self-sacrifice, love and mortality. Moving seamlessly from present and past, casting a fierce yet compassionate eye on two eras and their fixations, the result is a work of timeless depth and moral power.

Because I sat against my mother when she told this story, I did not hear it in words only. I felt it in her body. I felt a girl who wanted to be too beautiful. I felt a mother who wanted to love her. I felt a demon who wanted to torture her. I felt them mixed together so you couldn't tell them apart. The story scared me and I cried. My mother put her arms around me. 'Wait,' she said. 'It's not over yet. She's going to be saved by the tears of an innocent girl. Like you.' My mother kissed the top of my head and finished the story. And I forgot about it for a long time.



I open my eyes.

I can't sleep. When I try, I wake after two hours and then spend the rest of the night pulled around by feelings and thoughts. I usually sleep again at dawn and then wake at 7:30. When I wake, I'm mad at not sleeping, and that makes me mad at everything. My mind yells insults as my body walks itself around. Dream images rise up and crash down, huge, then gone, huge, gone. A little girl sinks down in the dark. Who is she? Gone.

I drink my coffee out of a heavy blue mug, watching the rain and listening to a fool on a radio show promote her book. I live right on the canal in San Rafael and I can look out on the water. There're too many boats on it and it's filthy with gas and garbage and maybe turds from the boats. Still, it's water, and once I saw a sea lion swimming toward town.

Every day, my neighbor Freddie leaps off his deck and into the canal for a swim. This disgusts my neighbor Bianca. 'I asked him, 'Don't you know what's in there? Don't you know it's like swimming in a public toilet?'' Bianca is a sexy fifty-year-old, sexy even though she's lost her looks, mainly because of her big fat lips. 'He doesn't care, he says he just takes a hot shower after.' Bianca draws on her cigarette with her big lips. 'Probably get typhoid.' She blows out with a neat turn of her head, even her long ropy neck is sort of sexy. 'I hate the sight of him flying through the air in that little Speedo, God!'

Sure enough, while I'm looking out the window, Freddie, all red and fleshy, with his stomach hanging down and his silver head tucked between his upstretched arms, vaults through the air and--wap!--hits the water like a bull roaring in the field. I can just see Bianca downstairs muttering 'Shit!' and slamming the wall with her fist. He's a big fifty-something, with a huge jaw and muscles like lumps of raw meat just going to fat. His round eyes show one big emotion at a time: Joy. Anger. Pain. Fear. But his body is full of all those things happening at once, and that's what you see when he's swimming. He attacks the water with big pawing strokes, burying his face in it like he's trying to eat it out. Then he stops and treads water, his snorting head tossing and bobbing for a second before he turns and lies down in the water, like a kid, with total trust--ah!--face to the sky, regardless of the rain or turds.

Even though he's big, Freddie's got the face of somebody who's been beat too many times, like his face is just out there to be beat. He's also got the face of somebody who, after the beating is done, gets up, says 'Okay,' and keeps trying to find something good to eat or drink or roll in. He likes to end stories by saying, 'But they'd probably just tell you I'm an a-s-s-h-o-l-e,' like, Oh well, what's on TV? That's the thing Bianca hates most, that beat-up but still leaping out into the turds for a swim quality. Especially the leaping: It's like a personal affront to her. But I like it. It reminds me of the sea lion, swimming...

Erscheint lt. Verlag 13.3.2013
Sprache englisch
Themenwelt Literatur Romane / Erzählungen
ISBN-10 0-307-83332-1 / 0307833321
ISBN-13 978-0-307-83332-7 / 9780307833327
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