Selections from the Notebooks Of Edward Bond
Volume 2 1980-1995
Seiten
2001
|
Vol 2
Methuen Drama (Verlag)
978-0-413-73000-8 (ISBN)
Methuen Drama (Verlag)
978-0-413-73000-8 (ISBN)
This second volume of Edward Bond's notebooks explores the meeting point between politics and the art of the writer. His notes chart the creative process of some of his most recent work, his involvment in theatre-in-education and his increasing popularity in Europe.
This second volume of Edward Bond's notebooks covers the period from Restoration, his historic drama with songs, to Eleven Vests, his play for young people written for Big Brum Theatre-in-Education "There is a cliche - which is also false - that all creative writing is autobiographical. If I were to be asked when you write do you write about your life I would answer when I write I am living my life."Including first drafts of plays, ideas and thoughts on characters, themes, actions and dramatic technique, this selection of notes provides a glimpse into the working mind of one of the world's most provocative playwrights. Alongside the commentaries on the plays, Bond's notes also contain stories and poems. His philosophy on theatre and art and his views on the role of the writer in society are included. Emphasis is given to Bond's critical response to political and moral issues such as Thatcherism, the monarchy, nuclear war, Britain's social classes and our definitions of good and evil.
This second volume of Edward Bond's notebooks covers the period from Restoration, his historic drama with songs, to Eleven Vests, his play for young people written for Big Brum Theatre-in-Education "There is a cliche - which is also false - that all creative writing is autobiographical. If I were to be asked when you write do you write about your life I would answer when I write I am living my life."Including first drafts of plays, ideas and thoughts on characters, themes, actions and dramatic technique, this selection of notes provides a glimpse into the working mind of one of the world's most provocative playwrights. Alongside the commentaries on the plays, Bond's notes also contain stories and poems. His philosophy on theatre and art and his views on the role of the writer in society are included. Emphasis is given to Bond's critical response to political and moral issues such as Thatcherism, the monarchy, nuclear war, Britain's social classes and our definitions of good and evil.
Edward Bond is widely regarded as the UK's greatest and most influently playwright. His plays include The Pope's Wedding (Royal Court Theatre, 1962), Saved (Royal Court, 1965), Early Morning (Royal Court, 1968), Lear (Royal Court, 1971), The Sea (Royal Court, 1973), The Fool (Royal Court, 1975), The Woman (National Theatre, 1978), Restoration (Royal Court, 1981) and The War Plays (RSC at the Barbican Pit, 1985).
| Erscheint lt. Verlag | 25.1.2001 |
|---|---|
| Reihe/Serie | Diaries, Letters and Essays |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 142 x 224 mm |
| Gewicht | 500 g |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-413-73000-X / 041373000X |
| ISBN-13 | 978-0-413-73000-8 / 9780413730008 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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