Reassessing the Theatre of the Absurd

Camus, Beckett, Ionesco, Genet, and Pinter

M. Bennett (Autor)

Buch | Hardcover

179 Seiten

2011
Palgrave Macmillan (Verlag)
978-0-230-11338-1 (ISBN)

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Fifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.

Michael Y. Bennett is Associate Professor of English at the University of Wisconsin-Whitewater, USA, where he teaches courses on modern drama. He is the author of Reassessing the Theatre of the Absurd (2011/2013), Words, Space, and the Audience (2012), and Narrating the Past through Theatre (2012). He is the editor of Refiguring Oscar Wilde's Salome (2011); and the co-editor of Eugene O'Neill's One-Act Plays: New Critical Perspectives (2012) as well as editor of The Edward Albee Review .

Introduction: Reassessing the Theatre of the Absurd 'The Parable of Estagon's Struggle with the Boot' in Waiting for Godot The Pinteresque Oedipal Household: The Interrogation Scene(s) in The Birthday Party The Parable of the White Clown: The Use of Ritual in Jean Genet's The Blacks: A Clown Show Berenger, The Sisyphean Hero Conclusion: Theorizing a 'Female Absurd' in Beth Henley's Crimes of the Heart as a Means of Reassessing the Theatre of the Absurd

Zusatzinfo	IX, 179 p.
Verlagsort	Basingstoke
Sprache	englisch
Maße	140 x 216 mm
Themenwelt	Literatur ► Lyrik / Dramatik ► Dramatik / Theater
	Kunst / Musik / Theater ► Film / TV
	Kunst / Musik / Theater ► Theater / Ballett
	Geisteswissenschaften ► Geschichte
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
ISBN-10	0-230-11338-9 / 0230113389
ISBN-13	978-0-230-11338-1 / 9780230113381
Zustand	Neuware