Louis Armstrong, in His Own Words
Seiten
1999
|
Annotated edition
Oxford University Press Inc (Verlag)
978-0-19-511958-9 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-511958-9 (ISBN)
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The subject of many biographies, little attention has been paid to the array of writings Armstrong left behind. Based on research through his archives, this work presents some of his earliest letters, personal correspondence and writings that are Armstrong's own thoughts on his life and career.
Louis Armstrong has been the subject of countless biographies and music histories. Yet scant attention has been paid to the remarkable array of writings he left behind. THis volume introduces readers to a little-known facet of this master trumpeter, band leader, and entertainer. Based on extensive research through the Armstrong archives, this important volume includes some of his earliest letters, personal correspondence with one of his first biographers in 1943-44, autobiographical writings, magazine articles, and essays. This work presents Armstrong's own thoughts on his life and career - from poverty in New Orleans to playing in the famous cafes, cabarets, and saloons of Storyville, from his big break in 1922 with the King Oliver band to his storming of New York, from his breaking of colour barriers in Hollywood to the infamous King of the Zulus incident in 1949, and finally, to his last days in Queens, New York. Along the way Armstrong recorded touching portraits of his times and offered candid, often controversial, opinions about racism, marijuana, bebop, and other jazz artists such as Jelly Roll Morton and Coleman Hawkins.
Louis Armstrong has been the subject of countless biographies and music histories. Yet scant attention has been paid to the remarkable array of writings he left behind. THis volume introduces readers to a little-known facet of this master trumpeter, band leader, and entertainer. Based on extensive research through the Armstrong archives, this important volume includes some of his earliest letters, personal correspondence with one of his first biographers in 1943-44, autobiographical writings, magazine articles, and essays. This work presents Armstrong's own thoughts on his life and career - from poverty in New Orleans to playing in the famous cafes, cabarets, and saloons of Storyville, from his big break in 1922 with the King Oliver band to his storming of New York, from his breaking of colour barriers in Hollywood to the infamous King of the Zulus incident in 1949, and finally, to his last days in Queens, New York. Along the way Armstrong recorded touching portraits of his times and offered candid, often controversial, opinions about racism, marijuana, bebop, and other jazz artists such as Jelly Roll Morton and Coleman Hawkins.
Thomas Brothers is an Associate Professor of Music at Duke University and the author of Chromatic Beauty in the Late Medieval Chanson. He lives in Durham, North Carolina.
| Erscheint lt. Verlag | 1.2.2000 |
|---|---|
| Co-Autor | Thomas Brothers |
| Zusatzinfo | 29 halftones |
| Verlagsort | New York |
| Sprache | englisch |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Kunst / Musik / Theater ► Musik ► Jazz / Blues | |
| ISBN-10 | 0-19-511958-4 / 0195119584 |
| ISBN-13 | 978-0-19-511958-9 / 9780195119589 |
| Zustand | Neuware |
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