The Contradictions of Jazz
Seiten
2008
Scarecrow Press (Verlag)
978-0-8108-6143-5 (ISBN)
Scarecrow Press (Verlag)
978-0-8108-6143-5 (ISBN)
The Contradictions of Jazz examines four pairs of opposites in jazz-freedom and responsibility, creativity and tradition, individualism and interconnectedness, and assertion and openness-and explores their position and presence in jazz to create a humanistic and existential view of the genre.
In The Contradictions of Jazz, Paul Rinzler takes a new approach to jazz aesthetics and theory by exploring four pairs of opposites present in jazz: individualism and interconnectedness, assertion and openness, freedom and responsibility, and creativity and tradition. By themselves, these eight values speak volumes about the meaning of jazz and its significance. Understanding how these opposites coexist in jazz leads to an exploration of the connections linking jazz with the experiential and existential, which contrast with the connections between composition and science. Rinzler explains the various concepts, including either/or and dialectic thinking, and then examines the pairs of opposites individually, describing their position and presence in jazz. He then demonstrates how the larger meaning of these contradictory opposites depends on ideas from the philosophies of phenomenology and existentialism. Rinzler considers the opposites inherent in the product and process of jazz, as well as mistakes and the challenge of perfection, presenting these values in light of the contradictions inherent in jazz. With a full bibliography and an index, The Contradictions of Jazz is a fascinating read for fans and scholars of jazz history and aesthetics.
In The Contradictions of Jazz, Paul Rinzler takes a new approach to jazz aesthetics and theory by exploring four pairs of opposites present in jazz: individualism and interconnectedness, assertion and openness, freedom and responsibility, and creativity and tradition. By themselves, these eight values speak volumes about the meaning of jazz and its significance. Understanding how these opposites coexist in jazz leads to an exploration of the connections linking jazz with the experiential and existential, which contrast with the connections between composition and science. Rinzler explains the various concepts, including either/or and dialectic thinking, and then examines the pairs of opposites individually, describing their position and presence in jazz. He then demonstrates how the larger meaning of these contradictory opposites depends on ideas from the philosophies of phenomenology and existentialism. Rinzler considers the opposites inherent in the product and process of jazz, as well as mistakes and the challenge of perfection, presenting these values in light of the contradictions inherent in jazz. With a full bibliography and an index, The Contradictions of Jazz is a fascinating read for fans and scholars of jazz history and aesthetics.
Paul Rinzler is associate professor in jazz and music theory at Cal Poly State University. He is author of Jazz Arranging and Performance Practice: A Guide for Small Ensembles (Scarecrow, 1999) and Quartal Jazz Piano Voicings (2002).
| Erscheint lt. Verlag | 16.12.2008 |
|---|---|
| Reihe/Serie | Studies in Jazz |
| Verlagsort | Lanham, MD |
| Sprache | englisch |
| Maße | 154 x 231 mm |
| Gewicht | 367 g |
| Themenwelt | Kunst / Musik / Theater ► Musik |
| Sonstiges ► Geschenkbücher | |
| ISBN-10 | 0-8108-6143-7 / 0810861437 |
| ISBN-13 | 978-0-8108-6143-5 / 9780810861435 |
| Zustand | Neuware |
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