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The canzone villanesca alla napolitana - Donna G. Cardamone

The canzone villanesca alla napolitana

Social, Cultural and Historical Contexts
Buch | Hardcover
346 Seiten
2008
Routledge (Verlag)
978-0-7546-5953-2 (ISBN)
CHF 193,00 inkl. MwSt
The printed debut of the "Canzone Villanesca Alla Napolitana" occurred on 24 October 1537, in Naples. Fifteen anonymous 'rustic songs' were published in a pocket-sized anthology with a cover featuring three women with hoes tilling the soil. This volume traces the Neapolitan origins of this song form, and its subsequent development.
The printed debut of the canzone villanesca alla napolitana occurred on 24 October 1537, in Naples. Fifteen anonymous 'rustic songs' were published by Johannes de Colonia in a pocket-sized anthology with a cover featuring three women with hoes tilling the soil. The adjective villanesca (from villano or peasant) in the strict sense of the word means rustic or crude, but in this new context it also intimates that Neapolitan poet-musicians had been affected by the instinctive lyrical traditions of everyday people. The articles in this volume trace the Neapolitan origins of this song form, and its subsequent development as it spread quickly throughout Italy in a succession of editions published in Venice and Rome, providing a diverse repertory of lively songs to amuse the privileged that held and attended academies. Several studies focus on key figures in this process, notably Ferrante Sanseverino, Prince of Salerno, and Orlando di Lasso. At the same time the author relates these developments to the contemporary political context, notably the rivalry of Spain and France for control of the Kingdom of Naples.

Donna Cardamone Jackson died in 2009. Before her retirement in 2007 she taught for 38 years at the University of Minnesota,

Contents: Introduction; The debut of the canzone villanesca alla napolitana; Musical and metrical forms of the canzone villanesca and villanella alla napolitana; Madrigali a tre et arie napolitane: a typographical and repertorial study; The Prince of Salerno and the dynamics of oral transmission in songs of political exile; Orlando di Lasso and pro-French factions in Rome; A colorful bouquet of arie napolitane; The salon as marketplace in the 1550s: patrons and collectors of Lasso's secular music; Guilio Bonagiunta: a composer with a progressive attitude; Orlando di Lasso et al.: a new reading of the Roman villanella book (1555); Erotic jest and gesture in Roman anthologies of Neapolitan dialect songs; Indexes.

Erscheint lt. Verlag 28.4.2008
Reihe/Serie Variorum Collected Studies
Verlagsort London
Sprache englisch
Maße 152 x 229 mm
Gewicht 453 g
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
ISBN-10 0-7546-5953-4 / 0754659534
ISBN-13 978-0-7546-5953-2 / 9780754659532
Zustand Neuware
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