Understanding Rock
Essays in Musical Analysis
Seiten
1998
Oxford University Press Inc (Verlag)
978-0-19-510005-1 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-510005-1 (ISBN)
This text brings together essays by several of musicology and music theory's young scholars, who take a music-analytical perspective of rock music. Each essay explores the often complex musical structure of rock music and attempts to expand our understanding of the musical experience generally.
Scholars have become increasingly interested in rock music, but few of the many works published on rock music attempt to subject the music itself to close and sophisticated scrutiny. Understanding Rock brings together essays by several of musicology and music theory's best young scholars that take a music-analytical perspective. Each essay explores the often complex musical structure of rock music, by such artists as the Beach Boys, the Grateful Dead, Cream, Jimi Hendrix, Yes, Paul Simon, and k.d. lang. Richly illustrated with musical examples and transcriptions, these essays attempt to expand our understanding of the musical experience generally, and to suppress dividing lines between pop and art music and the way they are studied.
Scholars have become increasingly interested in rock music, but few of the many works published on rock music attempt to subject the music itself to close and sophisticated scrutiny. Understanding Rock brings together essays by several of musicology and music theory's best young scholars that take a music-analytical perspective. Each essay explores the often complex musical structure of rock music, by such artists as the Beach Boys, the Grateful Dead, Cream, Jimi Hendrix, Yes, Paul Simon, and k.d. lang. Richly illustrated with musical examples and transcriptions, these essays attempt to expand our understanding of the musical experience generally, and to suppress dividing lines between pop and art music and the way they are studied.
John Covach is Associate Professor of Music at the University of North Carolina at Chapel Hill. Graeme M. Boone is Assistant Professor of Music at the Ohio State University.
1: John Covach: Progressive Rock, "Close to the Edge," and the Boundaries of Style
2: Daniel Harrison: After Sundown: The Beach Boys' Experimental Music
3: Dave Headlam: Blues Transformations in the Music of Cream
4: Lori Burns: "Joanie" Get Angry: k. d. lang's Feminist Revision
5: Walter Everett: Swallowed by a Song: Paul Simon's Crisis of Chromaticism
6: Matthew Brown: "Little Wing": A Study in Musical Cognition
7: Graeme M. Boone: Tonal and Expressive Ambiguity in "Dark Star"
| Erscheint lt. Verlag | 12.2.1998 |
|---|---|
| Zusatzinfo | music examples |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 152 x 232 mm |
| Gewicht | 367 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| ISBN-10 | 0-19-510005-0 / 0195100050 |
| ISBN-13 | 978-0-19-510005-1 / 9780195100051 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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