The Craft of Contemporary Commercial Music
Routledge (Verlag)
978-1-032-66267-1 (ISBN)
- Noch nicht erschienen (ca. Mai 2025)
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Translate musical ideas into scores utilizing music theory and composition techniques
Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing
Market works to prospective clients
The textbook assumes no prior knowledge of music theory or audio topics, and its modular organization allows instructors to use the book flexibly. Exercises at the end of each chapter provide practice with key skills, and online Instructor and Student Resources support the book with video walkthroughs, streaming audio, a glossary, and printable exercise pages. This second edition includes:
Enhanced and new images throughout the book
Updated technology examples, including greater integration of Ableton Live
Discussions of industry-standard equipment, featuring companies such as Universal Audio, FabFilter, and iZotope
More focus on popular music examples throughout the book, particularly in the context of music theory
An expanded section on the music business, with new information on contracts, royalties, and digital play-tracking services
Exercise answer keys for instructors, new video walkthroughs, and more online resources available at routledgelearning.com/cccm
Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.
Greg McCandless is an Associate Professor of Music Theory at Appalachian State University. Daniel McIntyre is an Associate Professor of Contemporary Writing and Production at Berklee College of Music.
Introduction: The Contemporary Commercial Composer and the Digital Audio Workstation
I. Fundamentals of Music and Audio
Ia: Fundamentals of Music
Chapter 1: Introduction to Pitch
Chapter 2: Introduction to Rhythm
Chapter 3: Introduction to Harmony
Chapter 4: Melody and Counterpoint
Ib: Fundamentals of Audio Engineering and Sequencing
Chapter 5: Introduction to Audio and MIDI
Chapter 6: Manipulating Rhythm in the DAW Environment
Chapter 7: Introduction to Acoustics
Chapter 8: Melodic Sequencing
II. Music Production Essentials
IIa. Composition Essentials
Chapter 9: Functional Diatonic Harmony
Chapter 10: Expanding your Harmonic Vocabulary
Chapter 11: Form and Development
Chapter 12: Basic Orchestration
IIb. Audio Engineering Essentials
Chapter 13: Introduction to Mixing
Chapter 14: Recording and Editing Live Instruments
Chapter 15: Mixing and Processing
Chapter 16: Final Mix Considerations
III. Producing Music for Media
Chapter 17: Scoring for Short-Form Media
Chapter 18: Scoring for Longer-Form Media
IV. The Business of Music Composition
Chapter 19: The Business of Music Composition
Glossary
| Erscheint lt. Verlag | 14.5.2025 |
|---|---|
| Zusatzinfo | 215 Line drawings, black and white; 256 Halftones, black and white; 471 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 178 x 254 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| ISBN-10 | 1-032-66267-0 / 1032662670 |
| ISBN-13 | 978-1-032-66267-1 / 9781032662671 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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