Technologies of Seeing
BFI Publishing (Verlag)
978-0-85170-602-3 (ISBN)
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BRIAN WINSTON is the Lincoln Professor of Communications at the University of Lincoln, and has been involved with documentary since 1963. He has an Emmy for documentary scriptwriting; has taught documentary in both the US and the UK; and has long been involved with many international documentary film festivals and the Visible Evidence conference series. Winston first wrote about documentary in 1978. He is the author of a number of books, including Media, Technology and Society: A History, from the Telegraph to the Internet (1998), a volume on "Fires Were Started–" (1999) in the BFI Film Classics series, Lies, Damn Lies and Documentaries (2000) and Messages: Free Expression, Media and the West, from Gutenberg to Google (2005).
Contents .- Preface viii .- NTRODUCTION: NECESSITIES AND CONSTRAINTS 1.- A Pattern of Technological Change .- On Technological Determinism .- Modelling Technological Change .- CHAPTER 1: THE CASE OF THE CINEMA 10 The 'Invention' of the Cinema: Accelerators and Brakes: Great Men Invent the Cinema Errors and Omissions The Edison Patent Battles The Context for Cinema: Realism and Illusionism The Context for Cinema: Narrative The Context for Cinema: The Mass Audience Towards a Structural Account of the Making of Cinema .- CHAPTER 2: THE CASE OF COLOUR FILM 39 White Skin and Colour Film: The Ideology of the Apparatus .- On Ideological Innocence 'Natural' Colour 'Inventing' Colour Film Reproducing Colour Colour in Motion The Meaning of Colour 'Pleasing Flesh Tones' .- CHAPTER 3: THE CASE OF 16MM FILM 58From Home Movies to Cinéma Vérité: Looking for a Need: The Standard of the Art: Edison's Strategy The Emergence of 16mm: Kodak's Strategy Avoiding the Amateur (1): The Newsreels Avoiding the Amateur (2): The Documentary Movement Avoiding the Amateur (3): The Radicals and The Ethnographers Suppressing 16mm's Potential Supervening Necessity: Stage 1 – World War II Supervening Necessity: Stage 2 – TV News Supervening Necessity: Stage 3 – 'A Breath of Fresh Air for Documentary The Rise and Fall of 16mm .- CHAPTER 4: THE CASE OF HDTV 88Lights, Camera, Inaction: Hollywood and Technology One from the Heart: Coppola's Strategy Social Demands of Post-Industrial Societies: NHK's Strategy Broadcasters Must Maintain Faith: The Engineer's Strategy We're Behind Japan – Again: The Media's Strategy 35mm Quality at 16mm Production Prices: Sony's Strategy Give Me One Good Reason to Change: Hollywood's Strategies They Could Not See the Sound: Hollywood's Strategies (1) Technicolour: Hollywood's Strategies (2) Too Grainy for Projection: Hollywood's Strategies (3) A Man and His Dream: Coppola's Strategy Revisited The Five-Year Syndrome: The Technophiles' Strategy .- CHAPTER 5: THE CASE OF THE THIRD DIMENSION 109Where is Holography?: Necessities and Constraints From the Stereoptician to Bwana Devil From the Interference Hypothesis to the Interferometer Holography as a 'Time-Based Medium'.- Notes 119.
| Erscheint lt. Verlag | 1.10.1996 |
|---|---|
| Zusatzinfo | 152 p. |
| Sprache | englisch |
| Maße | 153 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-85170-602-9 / 0851706029 |
| ISBN-13 | 978-0-85170-602-3 / 9780851706023 |
| Zustand | Neuware |
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