Virtual Music
How the Web Got Wired for Sound
Seiten
2005
Routledge (Verlag)
978-0-415-96674-0 (ISBN)
Routledge (Verlag)
978-0-415-96674-0 (ISBN)
How the web got wired for sound, written by one of the prople who did it. Virtual Music chronicles music on the web, in both story and sound, from its earliest days to the beginning of the 21st century.
Virtual Music: How the Web Got Wired for Sound is a personal story of how one composer has created new music on the web, a history of interactive music, and a guide for aspiring musicians who want to harness the new creative opportunities offered by web composing. Also includes a 4-page color insert.
Virtual Music: How the Web Got Wired for Sound is a personal story of how one composer has created new music on the web, a history of interactive music, and a guide for aspiring musicians who want to harness the new creative opportunities offered by web composing. Also includes a 4-page color insert.
William Duckworth has composed over 100 works, including his Time Curve Preludes for solo piano, and the choral work, Southern Harmony. A professor of music at Bucknell University, he teaches both music history and composition. He lives in West New York, NJ, and Lewisburg, Pennsylvania.
Introduction: Making Music in Thin Air Chapter 1 A Brief History of Interactive Music Chapter 2 Unsilent Night: A Case Chapter 3 The Brain Opera: A Case Study in Space Chapter 4 Music on the Web in the Twentieth Century Chapter 5 Cathedral: A Case Study in Time Chapter 6 Cell Phones and Satellites Chapter 7 Art and Ethics Online Chapter 8 The Grey Album: A Case Chapter 9 Virtual Music
| Erscheint lt. Verlag | 23.6.2005 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater ► Musik |
| ISBN-10 | 0-415-96674-4 / 0415966744 |
| ISBN-13 | 978-0-415-96674-0 / 9780415966740 |
| Zustand | Neuware |
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