Some Like It Hot
BFI Publishing (Verlag)
978-1-83902-731-4 (ISBN)
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Steven Cohan's study of the film disentangles its production history and subsequent notoriety from the film itself, reconsidering the ways in which it playfully challenged generic and gender conventions of the 1950s. He provides an in depth analysis of the film's near perfect comedic structure, Wilder's aesthetic choices and self-reflexive star performances by Curtis, Lemmon and Monroe.
He goes on to consider the film's queerness, as well as its promotion and reception in 1959. Contextualizing the film within its contemporary moment, he argues its textual richness, one that allows it to be viewed differently across generations, securing its lasting influence in popular culture.
Steven Cohan is Dean's Distinguished Professor Emeritus at Syracuse University, USA and President of the Society for Cinema and Media Studies. His books include Sunset Boulevard (BFI Film Classics, 2022), Hollywood by Hollywood: The Backstudio Picture and the Mystique of Making Movies (2018), The Sound of Musicals (BFI 2010), CSI: Crime Scene Investigation (BFI TV Classics, 2008), Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical (2005), Masked Men: Masculinity and the Movies in the Fifties (1997), and Telling Stories: A Theoretical Analysis of Narrative (1988, co-authored with Linda M. Shires).
Acknowledgements
1. A Perfect Comedy
2. Billy Wilder and Some Like It Hot
3. The people in Some Like It Hot
4. Some Like It Hot in 1959
5. The queerness of Some Like It Hot?
Conclusion
Notes
Credits
| Erscheint lt. Verlag | 1.5.2025 |
|---|---|
| Reihe/Serie | BFI Film Classics |
| Zusatzinfo | 60 bw illus |
| Sprache | englisch |
| Maße | 135 x 190 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| ISBN-10 | 1-83902-731-2 / 1839027312 |
| ISBN-13 | 978-1-83902-731-4 / 9781839027314 |
| Zustand | Neuware |
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