British Theatre and Young People
Routledge (Verlag)
978-1-032-74687-6 (ISBN)
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Interrogating the critical relationship between theatre and young people today, the book brings together perspectives on theatre about, for, by, and with young people and presents it as an art form in its own right. The first part of the book focuses on applied and socially engaged theatre practice with young people, illustrating the ways in which theatre can highlight inclusivity, well-being, community and politics among young people. Part two presents essays on adaptation and appropriation, generally looking at how classic texts have been adapted for young audiences. Finally, the last part of the book looks at the ways in which British Youth Theatre and practice in the UK has impacted regional and national theatre scenes. Highlighting this rich and active community and practice, this edited collection paints a picture of the state of theatre for and by young people in the UK today.
British Theatre and Young People is ideal for undergraduate and postgraduate students of theatre studies and applied theatre with an interest in British theatre.
Uğur Ada is currently working as Assistant Professor Doctor at Tokat Gaziosmanpasa University in Türkiye. He holds a PhD degree and his dissertation is entitled “Theatre in Education and the Analysis of Edward Bond’s Big Brum Plays within the Context of Theatre in Education”. His research areas are Contemporary British Theatre, Applied Theatre / Drama, In-Yer-Face Theatre and Theatre and Young People. His Recent book publications include Eğitimde Tiyatro/ Theatre in Education (TiE) (2021) and Edward Bond: Bondian Drama and Young Audience (2023).
Preface
Part 1. Socially Engaged Performances
1. ‘Growing Sideways’ in Mark Ravenhill’s Play for Young People, Citizenship
2. Polly Stenham’s That Face: A Portrait of Parentification and Dependency
3. ‘Packing Boxes’ by/for the Young: Precarity and Cruel Optimism in Wish List
4. “It’s Just the Persuading Bit”: Children, Performance and Climate Action
5. The Cancellation of The Family Sex Show
Part 2. Adaptation and Appropriation
6. A Tale of Temptation and Redemption: Staging Christina Rossetti’s Goblin Market for a Young Audience
7. ‘‘We’re Women. Not Children. Not Little Girls’’: Zadie Smith’s Theatrical Adaptation of Geoffrey Chaucer’s The Wife of Bath
8. Dumbing Down or Playing Up? Directing Shakespeare for Young People
9. Bring British Youth Theatre Overseas: A Case Study on Route to China
Part 3. Local, National and International Voices
10. Imagining Beyond the Barbarism
11. Destinies: An Applied Theatre Co-creation with Vulnerable Groups Producing Inter-relational Communities of Practice
12. Youth Theatre of Sanctuary: Arts, Inclusion and Leadership Initiative A Case Study on the Impact that Collaborative, Live and Digital Theatre Practices has had on the Lives of People Seeking Sanctuary and the Communities They Live in
13. Theatrical Event in Your Own Playground: Use of Mobile Space to Enhance Theatre Productions Provision in Primary Schools
Erscheint lt. Verlag | 7.3.2025 |
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Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
ISBN-10 | 1-032-74687-4 / 1032746874 |
ISBN-13 | 978-1-032-74687-6 / 9781032746876 |
Zustand | Neuware |
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