Beyond the Happening
Performance Art and the Politics of Communication
Seiten
2024
Manchester University Press (Verlag)
978-1-5261-8252-4 (ISBN)
Manchester University Press (Verlag)
978-1-5261-8252-4 (ISBN)
The Happenings that burst on to the late 1950s cultural scene were rapidly declared passé and even ‘dead’, but this book reveals how an international network of artists continued to develop their premises into the late 1960s and 1970s, transforming the form into an interdisciplinary vehicle for studying interpersonal relations. -- .
Beyond the Happening uncovers the heterogeneous, uniquely interdisciplinary performance-based works that emerged in the aftermath of the early Happenings. By the mid-1960s Happenings were widely declared outmoded or even ‘dead’, but this book reveals how many practitioners continued to work with the form during the late 1960s and 1970s, developing it into a vehicle for studying interpersonal communication that simultaneously deployed and questioned contemporary sociology and psychology. Focussing on the artists Allan Kaprow, Marta Minujín, Carolee Schneemann and Lea Lublin, it charts how they revised and retooled the premises of the Happening within a wider network of dynamic international activity. The resulting performances directly intervened in the wider discourse of communication studies, as it manifested in the politics of countercultural dropout, soft power and cultural diplomacy, alternative pedagogies, sociological art and feminist consciousness-raising. -- .
Beyond the Happening uncovers the heterogeneous, uniquely interdisciplinary performance-based works that emerged in the aftermath of the early Happenings. By the mid-1960s Happenings were widely declared outmoded or even ‘dead’, but this book reveals how many practitioners continued to work with the form during the late 1960s and 1970s, developing it into a vehicle for studying interpersonal communication that simultaneously deployed and questioned contemporary sociology and psychology. Focussing on the artists Allan Kaprow, Marta Minujín, Carolee Schneemann and Lea Lublin, it charts how they revised and retooled the premises of the Happening within a wider network of dynamic international activity. The resulting performances directly intervened in the wider discourse of communication studies, as it manifested in the politics of countercultural dropout, soft power and cultural diplomacy, alternative pedagogies, sociological art and feminist consciousness-raising. -- .
Catherine Spencer is Senior Lecturer in Art History at the University of St Andrews -- .
Introduction: Communication studies
1 Allan Kaprow’s lesson plans
2 Marta Minujín’s sociability experiments
3 Carolee Schneemann’s group work
4 Lea Lublin’s exercises in denaturalisation
Conclusion: Breaching experiments and social bodies
Bibliography
Index -- .
| Erscheinungsdatum | 13.11.2024 |
|---|---|
| Reihe/Serie | Rethinking Art's Histories |
| Zusatzinfo | 66 black & white illustrations |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| ISBN-10 | 1-5261-8252-1 / 1526182521 |
| ISBN-13 | 978-1-5261-8252-4 / 9781526182524 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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