European Theatre Performance Practice, 1900 to the Present
Routledge (Verlag)
978-1-032-91861-7 (ISBN)
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Nadine Holdsworth is Professor of Theatre and Performance Studies at the University of Warwick and Geoff Willcocks is Head of the Department for Performing Arts at Coventry University, UK.
Contents: Part I Acting and Performance: When acting is an art, Constantin Stanislavski, trans. Elizabeth Reynolds Hapgood; Michael Chekhov on the technique of acting: ’Was Don Quixote true to life?’, Franc Chamberlain; The dance of the future, Isadora Duncan; The actor and the über-marionette, Edward Gordon Craig; Actors on Brecht, Margaret Eddershaw; Introduction, Rudolf Laban; Samuel Beckett as director: the art of mastering failure, Anna McMullan; Performance, Jennifer Kumiega; Theatre theory: sociology and the actor’s technique, Ian Watson; The masks of Jacques Lecoq, John Wright; Woman, man, dog, tree: two decades of intimate and monumental bodies in Pina Bausch’s Tanztheater, Gabrielle Cody; On risk and investment, Tim Etchells; On seeing the invisible, Peggy Phelan. Part II Staging Performance: Of the futility of the ’theatrical’ in the theater, Alfred Jarry; Ideas on a reform of our mise en scène, Adolphe Appia; The founding and manifesto of futurism, Filuppo T. Marinetti; Biomechanics and constructivism, Edward Braun; The naked stage, John Rudlin; Theater (Bühne), Oskar Schlemmer; The documentary play, Erwin Piscator, Bertolt Brecht (1898-1956) and Caspar Neher (1897-1962), Joslin McKinney and Philip Butterworth; Production and metaphysics, Antonin Artaud; Myth and theatre laboratories, Peter Brook; After ideology: Heiner Müller and the theatre of catastrophe, David Kilpatrick; 1789, Victoria Nes Kirby; Notes on political street theatre, Paris: 1968, 1969, Jean-Jacques Lebel; Make-believe: SocÃetas Raffaello Sanzio do theatre, Nicholas Ridout; Spectacle, synergy and megamusicals: the global-industrialisation of the live-entertainment economy, Jonathan Burston; The digital double, Steve Dixon. Part III Representation and Reception: Women’s suffrage drama, Katharine Cockin; A propertyless theatre for the propertyless class, Tom Thomas; Modern dance in the Third Reich: six positions and a coda, Susan A. Manning; Reading The Blacks through t
Erscheint lt. Verlag | 14.10.2024 |
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Reihe/Serie | Critical Essays on European Theatre Performance Practice |
Verlagsort | London |
Sprache | englisch |
Maße | 174 x 246 mm |
Gewicht | 1050 g |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Geisteswissenschaften ► Geschichte ► Allgemeine Geschichte | |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
ISBN-10 | 1-032-91861-6 / 1032918616 |
ISBN-13 | 978-1-032-91861-7 / 9781032918617 |
Zustand | Neuware |
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