Classical Receptions and Impact of Xena: Warrior Princess
Bloomsbury Academic (Verlag)
978-1-350-33241-6 (ISBN)
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Contributors from across the world include perspectives from classical reception studies, queer studies and fan studies to examine the influence of ancient Mediterranean mythology and history in the series and, in turn, how the series shaped the viewer’s understanding of the classical past. Significantly, there are also studies of Xena’s depiction as a barrier-smashing heroine, and an examination of how the series paved the way for portrayals of LGBTQ+ relationships on mainstream television. The legacy of the series is seen in how it has continued to shape modern views about classical antiquity and how it laid the groundwork for subsequent series and films representing the ancient world.
Amanda Potter is a Visiting Fellow in Classics at the Open University, UK. She co-edited Ancient Epic in Film and Television (2021) and has published widely on classics in film and television. Anise K. Strong is Associate Professor in Classics at Western Michigan University, USA. She has published widely on classics in film, television and comics.
List of Contributors
Acknowledgements
Introduction, Anise K. Strong (Western Michigan University, USA) and Amanda Potter (Open University, UK)
Part One: Xena, History and Myth
1. Xena and the Dictator, Avishay Gerczuk and Ayelet Peer (Bar-Ilan University, Israel)
2. Cleopatra in the Xenaverse, Trevor Fear (Open University, UK)
3. Xena in Britannia, Tony Keen (University of Notre Dame, USA)
4. Envisioning Helen of Troy, Bonnie Rock-McCutcheon (Wilson College, USA)
5. The Influence of the Tale of Cupid and Psyche on the Xenaverse, Hendrik Müller (Hochschule Fresenius Hamburg, Germany)
6. Xena and the Amazons, Laurel Bowman (University of Victoria, Canada) and Connie Skibinski (University of Newcastle, Australia)
7. Xena the Healer, Anneka Rene (Saint Kentigern College, New Zealand)
Part Two: The Impact of Xena
8. Xena and The Power of Friendship in Hercules and Xena – The Animated Movie: The Battle for Mount Olympus, Krishni Burns (University of Illinois Chicago, USA)
9. New Zealand Flexible Production Models and Xena, Lauren Steimer (University of South Carolina, USA)
10. Xena Breaking Walls and Genres in Television Musical Episodes, Anise K. Strong (Western Michigan University, USA)
11. Xena Mythology-based Fanfiction, Amanda Potter (Open University, UK)
12. Expressing Lesbian Identity Through the Voice of Gabrielle, the Bard of Poteidia, Sara Palermo (Universidad Autónoma de Madrid, Spain)
13. Xenites, Community and Activism, Tanya N. Cook (Community College of Aurora, USA)
14. Whoosh.Org and Xena Fandom, Kym Taborn (Independent Scholar, USA)
Afterword, Nick Lowe (Royal Holloway University of London, UK)
Bibliography
Filmography
Notes
| Erscheinungsdatum | 24.05.2024 |
|---|---|
| Reihe/Serie | IMAGINES – Classical Receptions in the Visual and Performing Arts |
| Zusatzinfo | 20 bw illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geschichte ► Allgemeine Geschichte ► Altertum / Antike | |
| Geisteswissenschaften ► Religion / Theologie ► Weitere Religionen | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-350-33241-0 / 1350332410 |
| ISBN-13 | 978-1-350-33241-6 / 9781350332416 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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