Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Digital Immersive Art in China - Xinyang Zhao

Digital Immersive Art in China

Rejuvenation and Cultural Presence

(Autor)

Buch | Hardcover
186 Seiten
2024
Anthem Press (Verlag)
978-1-83999-303-9 (ISBN)
CHF 139,65 inkl. MwSt
  • Lieferzeit auf Anfrage
  • Versandkostenfrei
  • Auch auf Rechnung
  • Artikel merken
This book explores the role of virtual reality and augmented reality in China’s rejuvenation, especially in relation to cultural displays, performances and art exhibitions. It examines how audiences, both in China and globally, respond to Digital China through digital immersive art.
China has been stereotypically perceived as a place of backwardness. However, the 21st century has been a transitional period for China to express its cultural power. This book explores how digital technology, in particular virtual reality (VR) and augmented reality (AR), is playing a role in China’s rejuvenation, especially in relation to cultural displays, performances and art exhibitions.

It examines how audiences, both in China and globally, respond to Digital China through digital immersive art. Drawing on the author's anthropological research and empirical studies on stakeholders and audience reception, this book provides a comprehensive understanding of transformative power of digital technology and its impact on cultural experience in contemporary China.

The ‘reform of the cultural system’ over the past two decades in China has fostered a techno-cultural imaginary mixed with the celebration of Chinese civilisation and advanced by digital technology and entrepreneurs. Such a hybrid imaginary influences how people view and consume digital immersive art. Much digital immersive art within China is thus viewed within the framework of modernisation, as the case studies in this book will show. Outside China, however, the dominant narrative of techno-orientalism prevails, constructing a different image of Digital China, a technocratic state.

Xinyang Zhao earned his PhD in media, culture and creative arts from Curtin University. He currently works as a postdoctoral fellow at the School of Humanities, Tongji University in Shanghai.

List of Figures; List of Tables; 1. Introduction: The Digital Sublime; 2. Understanding Digital Immersive Art; 3. Cultural Presence and the Rise of Digital China; 4. A Multi-perspectival Approach; 5. Dynamics of Digital Immersive Art in China’s Creative Industries; 6. Generating Cultural Presence in Digital Immersive Art; 7. Playfulness as the Illusionary Experience of Cultural Presence; 8. Digital Immersive Art and the Problem of China’s Soft Power; 9. Chinese Modernisation and the Futurist Arts; References; Index

Erscheinungsdatum
Reihe/Serie Anthem Series on Digital China
Verlagsort London
Sprache englisch
Maße 153 x 229 mm
Gewicht 454 g
Themenwelt Kunst / Musik / Theater
ISBN-10 1-83999-303-0 / 1839993030
ISBN-13 978-1-83999-303-9 / 9781839993039
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Blumen in Kunst und Kultur

von Andreas Beyer; Michael John Gorman; Gudrun Kadereit …

Buch | Hardcover (2023)
Prestel (Verlag)
CHF 62,90