Listening to Confraternities
Brill (Verlag)
978-90-04-54420-8 (ISBN)
Listening to Confraternities offers new perspectives on the contribution of guild and devotional confraternities to the urban phonosphere based on original research and an interdisciplinary approach. Historians of art, architecture, culture, sound, music and the senses consider the ways in which, through their devotional practices, confraternities acted as patrons of music, created their identity through sound and were involved in the everyday musical experience of major cities in early modern Europe. Confraternities have been studied from many different angles, but only rarely as acoustic communities that communicated through sound and whose musical activities delimited the urban spaces in which they were active.
Contributors: Nicholas Terpstra, Emanuela Vai, Ana López Suero, Henry Drummond, Ascensión Mazuela-Anguita, Ferrán Escrivà-Llorca, Noel O’Regan, Magnus Williamson, Xavier Torres Sans, Erika Honisch, Alexander Fisher, Konrad Eisenbichler, Daniele Filippi, Dylan Reid, Elisa Lessa, Antonio Ruiz Caballero, Juan Ruiz Jiménez, Sergi González González, and Tess Knighton.
Tess Knighton, Ph.D. (1984, University of Cambridge) is an ICREA Research Professor at the Universitat Autònoma de Barcelona. She has published widely on the music and culture of the Iberian Peninsula, including the Brill Companion to Music at the Time of the Catholic Monarchs (2017).
Acknowledgments
List of Figures, Music Examples and Tables
Note on the Editor
Notes on the Contributors
1 Introduction: Sounds of Body and Spirit – Sense, Space, and Motion in Confraternities
Nicholas Terpstra
Part 1: The Participation of Confraternities in Urban Ceremonial
2 The ‘Sensoryscape’ of the Good Friday Procession in Early Modern Venetian Bergamo
Emanuela Vai
3 Musical Interactions at the Confraternity of Our Lady of the Rosary in Antwerp in the Seventeenth Century
Ana López Suero
4 Sound and Confraternal Piety in Early Modern Leuven
Henry Drummond
5 Music and Students in the Academy and Confraternity of St. Thomas Aquinas in Barcelona (1588)
Ascensión Mazuela-Anguita
6 The Sonic and Ceremonial Contribution of the Confraternity of Sant Jordi and the Centenar de la Ploma to Celebratory Processions in Valencia
Ferran Escrivà-Llorca
Part 2: Devotional Practice and Religious Reform
7 Corporations or Confraternities? Strategies Adopted by Artisan Groups in Response to Pressures Arising from the Catholic Reformation
Noel O’Regan
8 Confraternities and Music on the Eve of the Reformation: Early-Tudor Boston
Magnus Williamson
9 Who was Listening to Oratorio? Lay Confraternities and Patrician Music in Early Modern Italy
Xavier Torres
10 Mustering Troops and Teaching Counterpoint: The Musical Incursions of a Central European Redemption Confraternity
Erika Supria Honisch
11 Confraternities, Congregations and Aural Culture in Counter-Reformation Germany
Alexander Fisher
Part 3: Confraternities as Acoustic Communities
12 Music and Noise: The Sounds of a Youth Confraternity in Renaissance Florence
Konrad Eisenbichler
13 ‘In parole’ and ‘in canto’: The Songs and Prayers of the Disciplinati in Early Modern Milan
Daniele V. Filippi
14 Performing Poetry at Rouen’s Puy of the Immaculate Conception
Dylan Reid
15 Black Dancers and Musicians Performing Afro-Christian Identity in Early Modern Sources
Elisa Lessa
16 Devotional Collective Singing and the Construction of Christian Indigenous Communities: The Hospital Confraternities of the Concepción in Colonial Michoacán
Antonio Ruiz Caballero
Part 4: Mapping the Contribution of Confraternities to the Urban Soundscape
17 Digital Cartography of the Confraternities of Granada and Their Impact on the Early Modern Urban Soundworld
Juan Ruiz Jiménez
18 Mapping Post-Tridentine Confraternities and Processions in Sixteenth-Century Tarragona
Sergi González González
19 Burying the Bones: Mapping the Sounds and Spaces of the Confraternity of the Verge Maria dels Desamparats in Early Modern Barcelona
Tess Knighton
Index Nominum
Index Locorum
Erscheinungsdatum | 22.11.2024 |
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Reihe/Serie | Intersections ; 92 |
Verlagsort | Leiden |
Sprache | englisch |
Maße | 155 x 235 mm |
Gewicht | 1 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Kunst / Musik / Theater ► Musik | |
Geisteswissenschaften ► Geschichte | |
ISBN-10 | 90-04-54420-8 / 9004544208 |
ISBN-13 | 978-90-04-54420-8 / 9789004544208 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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