Placing Prints: New Developments in the Study of Print, 1400-1800

Bryony Bartlett-Rawlings, Naomi Lebens (Herausgeber)

Buch | Hardcover

336 Seiten

2024
Brill (Verlag)
978-90-04-26511-0 (ISBN)

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Placing Prints: New Developments in the Study of Print, 1400-1800 considers the diverse social, historical and cultural contexts in which prints were prodcued, and used. This volume explores print’s varied role, firmly placing the importance of print in history.

This volume presents a broad spectrum of essays exemplifying current advances in print scholarship. It aims to focus attention on the medium of print. While the essays reflect the varied production and role of print, central themes explored here include the making of prints and their perceived ‘place’ within a printmaker’s practice or the circulation, reception and use of prints in the hands of diverse publishers and audiences. The volume highlights the importance of the print medium as an art historical topic.

Bryony Bartlett-Rawlings, Ph.D. (2019), Courtauld Institute of Art, is an independent art historian and lecturer. She has worked in the V&A and Courtauld Gallery collections and lectured on the history of prints. She has published on print production and reception during the Renaissance and Early Modern period. Naomi Lebens, Ph.D (2016) is the Head of Cultural Services at Royal Holloway, University of London, with senior curatorial responsibility for the art collection, archive and temporary exhibition programme. She has worked on themes of playfulness, education and invention in early modern print.

List of Illustrations

Abbreviations

Notes on Contributors

Introduction

Bryony Bartlett-Rawlings and Naomi Lebens

Part 1: The Art of Print: Approaches and Attitudes

1 Mark(et)ing Expertise: the Goldsmith-engraver in the Low Countries and the Use of House Marks

Oliver Kik

2 Theory of Printmaking in the Early Modern Age

Barbara Stoltz

3 Poussin and the Theory of Hatching

Ben Thomas

4 Paul Sandby and Reproductive Printmaking

Ann V. Gunn

5 Not for the Feeble of Mind! Color-printed Illustrations in European Medical Literature, 1500[–]1850

Ad Stijnman

Part 2: The Reception of Print: Circulation and Use

6 Multiplied Madonnas—Strategies of Commercializing Raphael in Print

Anne Bloemacher

7 Copying Motifs and Reworking Printing Plates as Part of the French Royal Propaganda in the First Half of the 17th Century

Małgorzata Biłozór-Salwa

8 Displaying Gift-Giving: Thesis Prints in the Spanish Netherlands

Gwendoline de Mûelenaere

9 Jan Ponętowski’s Print Albums in the Jagiellonian Library in Cracow: an Early Print Collection in Moravia and the Kingdom of Poland

Magdalena Herman

10 A “Great and Valuable Collection”: Sir Joshua Reynolds (1723[–]1792) and His Prints

Donato Esposito

Bibliography

Index

Erscheinungsdatum	03.09.2024
Reihe/Serie	Brill’s Studies on Art, Art History, and Intellectual History ; 74
Verlagsort	Leiden
Sprache	englisch
Maße	155 x 235 mm
Gewicht	1 g
Themenwelt	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
	Kunst / Musik / Theater ► Malerei / Plastik
	Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918)
	Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte
ISBN-10	90-04-26511-2 / 9004265112
ISBN-13	978-90-04-26511-0 / 9789004265110
Zustand	Neuware