Rock Poetry in Post-Dictatorship Argentina
An Analysis of Discursive Production in the 1980s
Seiten
2024
Lexington Books/Fortress Academic (Verlag)
978-1-6669-2888-4 (ISBN)
Lexington Books/Fortress Academic (Verlag)
978-1-6669-2888-4 (ISBN)
This book studies the production of rock lyrics in Argentina, after the fall of the military governments or dictatorship, in the 80’s. Lucas R. Berone analyzes the new relationship between rock and society, politics, subjectivity, the past, young people, the market, the underground and artistic values.
This book is a historical and discursive study of rock poetry produced in Argentina, during the “transition to democracy”, in the eighties. Lucas R. Berone analyzes the lyrics and albums of a heterogeneous group of Argentine rock artists and bands, who began their career at that time, with the purpose of demonstrating the emergence and functioning of a new grammar of discursive production, which he terms the “grammar of the incognitus (or hidden) subject”. This grammar is, when compared to the traditional “counterculture” rock discourse, a very specific and distinct way of elaborating the enunciative relationship between the artist and his audience. The author asserts that the new discursive grammar, focused on the singularity of the present and the “self,” will produce the last important revolution in the tradition of the so-called “rock nacional”; motivating critical responses in the leaders of the movement.
This book is a historical and discursive study of rock poetry produced in Argentina, during the “transition to democracy”, in the eighties. Lucas R. Berone analyzes the lyrics and albums of a heterogeneous group of Argentine rock artists and bands, who began their career at that time, with the purpose of demonstrating the emergence and functioning of a new grammar of discursive production, which he terms the “grammar of the incognitus (or hidden) subject”. This grammar is, when compared to the traditional “counterculture” rock discourse, a very specific and distinct way of elaborating the enunciative relationship between the artist and his audience. The author asserts that the new discursive grammar, focused on the singularity of the present and the “self,” will produce the last important revolution in the tradition of the so-called “rock nacional”; motivating critical responses in the leaders of the movement.
Lucas R. Berone is professor of semiotics at the Autonomous University of Entre Ríos.
Chapter 1. About Rock, Politics, and Literature
Chapter 2. Methodological Considerations
Chapter 3. The First Cases. A New Orthodoxy is Born, at Present and in the First Person
Chapter 4. Towards a New Production Grammar: Constitution of the Incognitus Subject
Chapter 5. The Discourses / the Questions of the Founding Fathers
Chapter 6. Discourses / Responses of Resistance and Counter-Hegemony
| Erscheinungsdatum | 30.05.2024 |
|---|---|
| Reihe/Serie | Music, Culture, and Identity in Latin America |
| Übersetzer | Claudia A. Vulcano |
| Vorwort | Pablo Vila |
| Sprache | englisch |
| Maße | 159 x 237 mm |
| Gewicht | 481 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-6669-2888-7 / 1666928887 |
| ISBN-13 | 978-1-6669-2888-4 / 9781666928884 |
| Zustand | Neuware |
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