Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Gender Violence, Art, and the Viewer -

Gender Violence, Art, and the Viewer

An Intervention
Buch | Softcover
272 Seiten
2024
Pennsylvania State University Press (Verlag)
978-0-271-09708-4 (ISBN)
CHF 57,90 inkl. MwSt
The works covered in college art history classes frequently depict violence against women. Traditional survey textbooks highlight the impressive formal qualities of artworks depicting rape, murder, and other violence but often fail to address the violent content and context. Gender Violence, Art, and the Viewer investigates the role that the art history field has played in the past and can play in the future in education around gender violence in the arts. It asks art historians, museum educators, curators, and students to consider how, in the time of #MeToo, a public reckoning with gender violence in art can revitalize the field of art history.

Contributors to this timely volume amplify the voices and experiences of victims and survivors depicted throughout history, critically engage with sexually violent images, open meaningful and empowering discussions about visual assaults against women, reevaluate how we have viewed and narrated such works, and assess how we approach and teach famed works created by artists implicated in gender-based violence.

Gender Violence, Art, and the Viewer includes contributions by the editors as well as Veronica Alvarez, Indira Bailey, Melia Belli Bose, Charlene Villaseñor Black, Ria Brodell, Megan Cifarelli, Monika Fabijanska, Vivien Green Fryd, Carmen Hermo, Bryan C. Keene, Natalie Madrigal, Lisa Rafanelli, Nicole Scalissi, Hallie Rose Scott, Theresa Sotto, and Angela Two Stars. It is sure to be of keen interest to art history scholars and students and anyone working at the intersections of art and social justice.

Ellen C. Caldwell is Professor of Art History at Mt. San Antonio College. She is the author of Paula Rego: Art Souvenir. Cynthia S. Colburn is Blanche E. Seaver Chair of Fine Arts at Pepperdine University. She is the coauthor of The History of Art: A Global View and coeditor of Reading a Dynamic Canvas: Adornment in the Ancient Mediterranean World. Ella J. Gonzalez is a PhD candidate in History of Art at Johns Hopkins University. She is the coauthor, with Cynthia S. Colburn, of “How to Teach Ancient Art in the Age of #MeToo,” which was published in Hyperallergic.

Contents



List of Illustrations

Acknowledgments



Introduction: Gender Violence and Art History



Ellen C. Caldwell, Cynthia S. Colburn, and Ella J. Gonzalez



Part 1: Reckoning with Violence in the Canon: Pedagogical and Art-Historical Approaches



1. Women and Violence in Ancient Greek Art: Subverting the Dominant Narrative



Cynthia S. Colburn and Ella J. Gonzalez



2. Invisible Casualties: Gender Violence in Assyrian Relief Sculptures



Megan Cifarelli



3. An Unmentionable History: The Stigma of Sodomy and Images of Violence Toward Queer and Trans Peoples in Premodern Europe



Bryan C. Keene



4. Breaking the Silence: Depictions of Gender-Based Violence and Sexual Violation in Italian Renaissance and Baroque Art



Lisa Rafanelli



5. Teaching About Gendered and Racialized Violence in Colonial Mexican Art: The Case of Malintzin and Other Challenges



Charlene Villaseñor Black



6. Sexing the Canvas: The Rape Narrative of the Black Female Body in Western History Paintings



Indira Bailey



7. Cultivating a Humanizing Gaze: Viewership, Consumption, and Complicity in Art and Film After #MeToo



Ellen C. Caldwell and Natalie Madrigal



Part 2: Transformational Curatorial Practices: Shifting



Educational Practices in Public Spaces



8. Subverting Patriarchy in Art Museums: Strategies for the Anti-Oppressive Art Museum Educator



Hallie Rose Scott and Theresa Sotto



9. Why It’s Impossible to Separate the Art from the Artist: An Educator’s Experience with Gauguin and Picasso



Veronica Alvarez



10. To Censor or to Teach: Educational Reflections on a Foundational Exhibition



Monika Fabijanska



11. An Overwhelming Response: Gender-Based Violence and Contemporary Feminist Art



Carmen Hermo



12. Bring Her Home: Awareness, Advocacy, Resistance, and Healing



Angela Two Stars



Part 3: Art and/as Advocacy



13. Gender Violence, Censorship, and Erasure: A Conversation with Ria Brodell About Contemporary Art, Practice, and Pedagogy



Ria Brodell and Ellen C. Caldwell



14. Amio: Gender-Based Violence in Contemporary Bangladeshi Art



Melia Belli Bose



15. Anti-Rape and Anti-Incest Counternarratives: Art in the United States Since the 1960s and in the Wake of the #MeToo Movement



Vivien Green Fryd



16. Considering Unseen Violence: Zanele Muholi’s Faces and Phases



Nicole Scalissi



Conclusion: Moving Forward—A New Era in Art History



Ellen C. Caldwell, Cynthia S. Colburn, and Ella J. Gonzalez



Resource Appendix

List of Contributors

Index

Erscheinungsdatum
Zusatzinfo 77 Halftones, black and white
Verlagsort University Park
Sprache englisch
Maße 178 x 254 mm
Gewicht 567 g
Themenwelt Kunst / Musik / Theater Allgemeines / Lexika
Kunst / Musik / Theater Kunstgeschichte / Kunststile
ISBN-10 0-271-09708-6 / 0271097086
ISBN-13 978-0-271-09708-4 / 9780271097084
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
von der Antike bis zur Gegenwart

von Hubert Locher

Buch | Hardcover (2023)
C.H.Beck (Verlag)
CHF 79,90