U2’s Songs of Trauma and Hope
“Between the Midnight and the Dawning”
Seiten
2024
Lexington Books/Fortress Academic (Verlag)
978-1-6669-3098-6 (ISBN)
Lexington Books/Fortress Academic (Verlag)
978-1-6669-3098-6 (ISBN)
This book provides a rich analysis of U2’s songs, unveiling the light of hope amid the darkness of trauma and provide close interpretations of the band’s lyrics and performances through the lenses of trauma and memory studies.
In U2’s Songs of Trauma and Hope: “Between the Midnight and the Dawning", Ingunn Røysland and Charles Ivan Armstrong show that trauma is an important theme for U2. While this leads the band to confront extreme instances of grief and suffering, this does not prevent them to cross (in the words of their song “A Sort of Homecoming”) “the fields of mourning to a light that's in the distance.” Theories from trauma and memory studies are deployed in the examination of song lyrics and performances by U2, spanning from the early days of the band to more recent times. In their exploration of light and dark, of hope and trauma within the U2 catalogue, Røysland and Armstrong acknowledge the complexity of the songs, addressing different layers, including romantic as well as divine allegory. The authors also address the band’s troublesome lyrics, with an entire chapter devoted to “Sunday Bloody Sunday,” as well as the role of multidirectional memory and significant places, so-called lieux de mémoire, in U2’s dealings with a ranger of historical conflicts and crises. They further examine how music plays an important part in the path of healing from traumatic wounds, analysing the reception of the songs. Ultimately, it is suggested, U2 shows us how to get “through the night.”
In U2’s Songs of Trauma and Hope: “Between the Midnight and the Dawning", Ingunn Røysland and Charles Ivan Armstrong show that trauma is an important theme for U2. While this leads the band to confront extreme instances of grief and suffering, this does not prevent them to cross (in the words of their song “A Sort of Homecoming”) “the fields of mourning to a light that's in the distance.” Theories from trauma and memory studies are deployed in the examination of song lyrics and performances by U2, spanning from the early days of the band to more recent times. In their exploration of light and dark, of hope and trauma within the U2 catalogue, Røysland and Armstrong acknowledge the complexity of the songs, addressing different layers, including romantic as well as divine allegory. The authors also address the band’s troublesome lyrics, with an entire chapter devoted to “Sunday Bloody Sunday,” as well as the role of multidirectional memory and significant places, so-called lieux de mémoire, in U2’s dealings with a ranger of historical conflicts and crises. They further examine how music plays an important part in the path of healing from traumatic wounds, analysing the reception of the songs. Ultimately, it is suggested, U2 shows us how to get “through the night.”
Charles I. Armstrong is professor of English literature at the University of Agder. Ingunn Røysland is teacher of English and German and currently teaches German at Skigymnaset, Hovden.
| Erscheinungsdatum | 19.03.2024 |
|---|---|
| Reihe/Serie | For the Record: Lexington Studies in Rock and Popular Music |
| Co-Autor | Charles I. Armstrong |
| Zusatzinfo | 5 Tables |
| Sprache | englisch |
| Maße | 158 x 237 mm |
| Gewicht | 458 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| ISBN-10 | 1-6669-3098-9 / 1666930989 |
| ISBN-13 | 978-1-6669-3098-6 / 9781666930986 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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Buch | Softcover (2024)
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