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Shakespeare and British World War Two Film - Jr Sullivan  Garrett A.

Shakespeare and British World War Two Film

Buch | Softcover
215 Seiten
2024
Cambridge University Press (Verlag)
978-1-108-82966-3 (ISBN)
CHF 42,90 inkl. MwSt
Illuminating for students and researchers of Shakespeare, film and World War Two Britain alike, this book expertly draws on the theory and practice of adaptation and appropriation to demonstrate how the British cinema presented Shakespeare as both an emblem of national unity and a marker of internal division.
During World War Two, many British writers and thinkers turned to Shakespeare in order to articulate the values for which their nation was fighting. Yet the cinema presented moviegoers with a more multifaceted Shakespeare, one who signalled division as well as unity. Shakespeare and British World War Two Film models a synchronic approach to adaptation that, by situating the Shakespeare movie within histories of film and society, avoids the familiar impasse in which the playwright's works are the beginning, middle and end of critical study. Through close analysis of works by Laurence Olivier, Leslie Howard, Humphrey Jennings, and the partners Michael Powell and Emeric Pressburger, among others, this study demonstrates how Shakespeare served as a powerful imaginative resource for filmmakers seeking to think through some of the most pressing issues and problems that beset wartime British society.

Garrett A. Sullivan, Jr., Liberal Arts Professor of English, teaches at Pennsylvania State University. He is author of The Drama of Landscape: Land, Property and Social Relations on the Early Modern Stage (1998), Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster (Cambridge University Press, 2005), and Sleep, Romance and Human Embodiment: Vitality from Spenser to Milton (Cambridge University Press, 2012).  With Mary Floyd-Wilson, he co-edited Environment and Embodiment in Early Modern England (2007) and The Geographies of Embodiment in Early Modern England (2020). He co-edits, with Julie Sanders, the book series Early Modern Literary Geographies. He is a past trustee of the Shakespeare Association of America.

1. 'Hamlet's a loser, Leslie!': Pimpernel Smith, Hamlet and film propaganda; 2. 'What we all have in common': Fires Were Started, Macbeth and the people's war; 3. The Black-White Gentleman: The Man in Grey, Othello and the melodrama of Anglo-West Indian relations; 4. 'Bottom's not a gangster!': A Matter of Life and Death, A Midsummer Night's Dream and post-war Anglo-American relations.

Erscheinungsdatum
Zusatzinfo Worked examples or Exercises
Verlagsort Cambridge
Sprache englisch
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-108-82966-X / 110882966X
ISBN-13 978-1-108-82966-3 / 9781108829663
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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