Music and Cosmopolitanism
Oxford University Press Inc (Verlag)
978-0-19-974477-0 (ISBN)
To understand music and performance as part of a larger system of human connections and disconnections that are always in motion, this book offers a story of musical Rio de Janeiro that was built as much as, or perhaps more so, from the outside in than from within its socio-historical and cultural contexts - a city that grew to become one place containing many worlds.
Cristina Magaldi is Professor Emerita at Towson University and holds degrees from the University of Brasília, the University of Reading, England, and the University of California, Los Angeles. Her research focuses on music during the 19th and 20th centuries, Latin American cultures, globalization, and cosmopolitanism. She is the author of Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu (2004) and her publications have appeared in Popular Music, Latin American Music Review, Musical Quarterly, among others.
Introduction
Chapter One: Cosmopolitanism and yhe City
Chapter Two: A City To Be Seen and To Be Heard
Chapter Three: A Tale of Three Anthems
Chapter Four: Race in the Universal and Eternal Tradition
Chapter Five: At The Cabaret
Chapter Six: Diversifying
Chapter Seven: Local Cosmopolitanisms
Chapter Eight: The Widows
Chapter Nine: Cosmopolitan Traditions
Chapter Ten: Sounds Of Urban Worlds
Chapter Eleven: A World of Many Musics
12. Concluding: Arriving at the Future
Bibliography
Index
Erscheinungsdatum | 24.07.2024 |
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Reihe/Serie | Currents in Latin American and Iberian Music |
Zusatzinfo | 37 b&w halftones |
Verlagsort | New York |
Sprache | englisch |
Maße | 165 x 240 mm |
Gewicht | 748 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
ISBN-10 | 0-19-974477-7 / 0199744777 |
ISBN-13 | 978-0-19-974477-0 / 9780199744770 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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