Nina Beier
Works
Seiten
• First comprehensive monograph to date
• Three upcoming exhibitions at CAPC musée d’art contemporain, Bordeaux, KIASMA Museum, Helsinki and El Museo Tamayo, Mexico City in 2024
lt;p>Nina Beier probes the depths of the material world, exposing the underlying narratives contained in the lives of the objects we produce, acquire, use, and discard. Harnessing found objects and commodities as well as associated social habits and behaviors, she deftly manipulates and recontextualizes them within her sculptures and performances to examine global power dynamics, value, and representation. This richly illustrated volume provides an in-depth understanding of the Danish artist's multifaceted career through the sampling of existing texts written by key collaborators over the past decade, and newly commissioned essays which further explore the central concerns and motivations behind Beier's practice, exhibition history, and selection of materials. With extensive survey exhibitions culminating in 2024 at CAPC musée d'art contemporain, Bordeaux, KIASMA Museum, Helsinki, and El Museo Tamayo, Mexico City, now is an evident time to publish the first elaborate monograph to date.NINA BEIER (*1975, Aarhus, Denmark) graduated from the Royal College of Art, London in 2004. Working with a range of objects travelling between different geopolitical realities, Beier's installations seek to confront, negotiate, and undermine the volatile tropes these materials bear. Her internationally acknowledged work has been presented in a range of environments from museums to the public realm. She lives and works in Copenhagen.
• Three upcoming exhibitions at CAPC musée d’art contemporain, Bordeaux, KIASMA Museum, Helsinki and El Museo Tamayo, Mexico City in 2024
lt;p>Nina Beier probes the depths of the material world, exposing the underlying narratives contained in the lives of the objects we produce, acquire, use, and discard. Harnessing found objects and commodities as well as associated social habits and behaviors, she deftly manipulates and recontextualizes them within her sculptures and performances to examine global power dynamics, value, and representation. This richly illustrated volume provides an in-depth understanding of the Danish artist's multifaceted career through the sampling of existing texts written by key collaborators over the past decade, and newly commissioned essays which further explore the central concerns and motivations behind Beier's practice, exhibition history, and selection of materials. With extensive survey exhibitions culminating in 2024 at CAPC musée d'art contemporain, Bordeaux, KIASMA Museum, Helsinki, and El Museo Tamayo, Mexico City, now is an evident time to publish the first elaborate monograph to date.NINA BEIER (*1975, Aarhus, Denmark) graduated from the Royal College of Art, London in 2004. Working with a range of objects travelling between different geopolitical realities, Beier's installations seek to confront, negotiate, and undermine the volatile tropes these materials bear. Her internationally acknowledged work has been presented in a range of environments from museums to the public realm. She lives and works in Copenhagen.
NINA BEIER (*1975, Aarhus, Denmark) lives and works in Copenhagen, Denmark. Beier has shown internationally for the past two decades in major institutions and biennials worldwide including the Lyon Biennale, France (2022); the Busan Biennale, Korea (2022); the Sao Paulo Biennial, Brazil (2021-2022); 20th Sydney Biennale, Australia (2016); 13th Biennale de Lyon, France (2015). She has presented her work on The High Line, New York (2022) and has had significant solo exhibitions at Spike Island, Bristol, England (2018); Kunstverein Hamburg, Germany (2015); Swiss Institute (Performa), New York (2015); DRAF, London (2014); and Kunsthal Charlottenborg, Denmark (2011).
Erscheinungsdatum | 06.03.2024 |
---|---|
Sprache | englisch |
Maße | 206 x 272 mm |
Gewicht | 1338 g |
Themenwelt | Kunst / Musik / Theater ► Malerei / Plastik |
Schlagworte | Alltagsgegenstände • Alltagskultur • Alltagsobjekte • Dänemark • Denmark • Female artist • Kopenhagen • Objekte • Objektkunst • Performances • Readymades • Royal College of Art in London • Skulptur |
ISBN-10 | 3-7757-5611-6 / 3775756116 |
ISBN-13 | 978-3-7757-5611-2 / 9783775756112 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Wie viel Kindheit steckt in Kunst?
Buch | Hardcover (2023)
starfruit publications (Verlag)
CHF 36,90
die Entdeckung der Sächsischen Schweiz im 18./19. Jahrhundert
Buch | Softcover (2023)
Verlag der Kunst
CHF 22,90