Awakening a Living World on a Kūṭiyāṭṭam Stage
Seiten
2024
State University of New York Press (Verlag)
978-1-4384-9692-4 (ISBN)
State University of New York Press (Verlag)
978-1-4384-9692-4 (ISBN)
Explores the cultural dynamics of this ancient form of Sanskrit theater.
Kūṭiyāṭṭam, an ancient form of Sanskrit theater from Kerala, was traditionally performed only in temples by members of two temple assistant castes. Today, however, it has spread to other castes and to venues outside temples. It is a fantastically complex, sophisticated, layered performance, toiling at amassing and perfecting ways of materializing a world where gods, demons, and mythical heroes live, bringing the audience into these other realities. Taking an anthropological approach, Awakening a Living World on a Kūṭiyāṭṭam Stage explores how Kūṭiyāṭṭam uses cultural dynamics, gleaned from temple ritual and theater, to remove the distinctions between mundane reality and the mediaeval plays being performed on stage. The unique features of Kūṭiyāṭṭam—makeup masks, enthralling drumming, delivering words in mudrā gestures, a shimmering lamp, male and female actors—all intertwine to animate stories from the great Indian eposes. Analyzing the cultural dynamics at work in Kūṭiyāṭṭam foregrounds a symbolic anthropology in which representation and symbols are shunned, while endless repetitions fill the stage with reverberating somatic intensities of profound depth. Thus, a new kind of living reality emerges that includes the protagonists of the play—gods, demons, humans, animals, and objects—together with the artist, the audience, and beyond.
Kūṭiyāṭṭam, an ancient form of Sanskrit theater from Kerala, was traditionally performed only in temples by members of two temple assistant castes. Today, however, it has spread to other castes and to venues outside temples. It is a fantastically complex, sophisticated, layered performance, toiling at amassing and perfecting ways of materializing a world where gods, demons, and mythical heroes live, bringing the audience into these other realities. Taking an anthropological approach, Awakening a Living World on a Kūṭiyāṭṭam Stage explores how Kūṭiyāṭṭam uses cultural dynamics, gleaned from temple ritual and theater, to remove the distinctions between mundane reality and the mediaeval plays being performed on stage. The unique features of Kūṭiyāṭṭam—makeup masks, enthralling drumming, delivering words in mudrā gestures, a shimmering lamp, male and female actors—all intertwine to animate stories from the great Indian eposes. Analyzing the cultural dynamics at work in Kūṭiyāṭṭam foregrounds a symbolic anthropology in which representation and symbols are shunned, while endless repetitions fill the stage with reverberating somatic intensities of profound depth. Thus, a new kind of living reality emerges that includes the protagonists of the play—gods, demons, humans, animals, and objects—together with the artist, the audience, and beyond.
Einat Bar-On Cohen is an independent researcher. She lives in Jerusalem.
List of Illustrations
Acknowledgments
Introduction
1. Kūṭiyāṭṭam
2. The World of Hanūman: Creating a Fluid Cosmos on a Kūṭiyāṭṭam Stage
3. Storytelling in Kūṭiyāṭṭam: How an Inclusive World Is Created
4. White, Black, and Red Śūrpaṇakhā, Golden Sītā: Cosmic Events of Female Intensities in Kūṭiyāṭṭam
5. Cūṭala-k-kūttu: Performing at the Cremation Grounds
6. The Vidūṣaka—and the Connectivity of Human Frailties
7. The Gods Are Coaxed into Our Lives
Notes
Works Cited
Index
| Erscheinungsdatum | 05.03.2024 |
|---|---|
| Reihe/Serie | SUNY series in Hindu Studies |
| Zusatzinfo | Total Illustrations: 11 |
| Verlagsort | Albany, NY |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 227 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Geisteswissenschaften ► Religion / Theologie ► Hinduismus | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-4384-9692-3 / 1438496923 |
| ISBN-13 | 978-1-4384-9692-4 / 9781438496924 |
| Zustand | Neuware |
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