Art and Identity in Spain, 1833–1956
Bloomsbury Visual Arts (Verlag)
978-1-350-42853-9 (ISBN)
It highlights how artists in Spain shaped perceptions of Al-Andalus (Iberia under Islam 711–1492) and northern Morocco, from Spain’s liberal revolution of the 1830s to the end of the Protectorate of Morocco in 1956. Combining art history with a cultural studies approach, and using exemplary case studies, Hopkins foregrounds the diverse issues that underpin Orientalist expression: reflections on history and the nation, cultural nationalism, gender and sexuality, aesthetics and art commerce, colonialism and racial thinking. In the process, the book challenges over-familiar understandings of Western Orientalism.
Beyond Fortuny and Sorolla, many unfamiliar artists and exhibitions are introduced, amongst them Villaamil, whose nostalgic landscapes evoked the loss of Andalusi culture; Bécquer, who celebrated Spanish-Moroccan peace-making through the lens of Velázquez; the Symbolist Rusiñol, whose images of the Alhambra are infused with melancholy; Morcillo, whose extraordinary camp images opened a new space for male subjectivity; Tapiró and Bertuchi, who dedicated their lives to Morocco, and the Moroccan Sarghini, who participated in the state-funded Painters of Africa exhibitions in Franco’s Madrid – an annual exhibition that served the colonial concept of a Hispano-Moroccan brotherhood under the dictatorship.
This book traces the shifting impulses and meanings of Orientalist expression in Spain. It makes an original intervention in the field of Spanish art studies and contributes new material to the ongoing debates about Western Orientalism.
Claudia Hopkins is Professor of Art History at the University of Edinburgh, UK. She served as the Director of the Zurbarán Centre for Spanish and Latin American Art at Durham University between 2020 and 2023, and is Editor of Art in Translation. Recent publications include Romantic Spain. David Roberts and Genero Pérez Villaamil (2021), which won the Jonathan Brown Award of the Society of Global Iberian Art (SIGA) for exceptional achievement in an exhibition catalogue, and the co-edited two-volume Hot Art, Cold War-European Writing on American Art 1945-1990 (2020).
List of Plates
List of Figures
Acknowledgements
Introduction. The Orient Within
1: Transcultural Nostalgia
2: Collapsing Time: Old and New Conquests
3: The Poetics of Victory. Northern and Southern Perspectives
4: From Ethnographic to Camp Masculinity
5: De-Orientalising the Alhambra
6: The Pseudo-Ethnographic Gaze
7: Art as Colonial Propaganda: A ‘Human and Placid Maghreb’
8: ‘Morocco is not exotic’. Exhibitions under Franco
Epilogue: Switching Perspectives
Select Bibliography
Index
| Erscheinungsdatum | 26.08.2024 |
|---|---|
| Zusatzinfo | 64 colour & 78 bw illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 1-350-42853-1 / 1350428531 |
| ISBN-13 | 978-1-350-42853-9 / 9781350428539 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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