Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Theatre and the Threshold of Death - Kathleen Gough

Theatre and the Threshold of Death

Lectures on the Dying Arts

(Autor)

Buch | Hardcover
208 Seiten
2024
Methuen Drama (Verlag)
978-1-350-38551-1 (ISBN)
CHF 142,00 inkl. MwSt
  • Versand in 15-20 Tagen
  • Versandkostenfrei
  • Auch auf Rechnung
  • Artikel merken
On the eve of a global pandemic, Kathleen Gough, a theatre professor, becomes immersed in the lives of five artist-mystics, each of whom is a pioneer in her field: Hildegard of Bingen (1098-1179), the first known musical composer; Eleanora Duse (1858-1924), the first modern actor in the Western world; Simone Weil (1909-1943), philosopher, activist, and mystic, whom Albert Camus called “the only great spirit of our time”; Marina Abramovic (b. 1946), “the grandmother of performance art”; and Hilma af Klint (1862-1944), the first known (and belatedly acknowledged) abstract painter. Each time Gough crosses a threshold into their world, she is compelled to attend courses, seminars and workshops that are simultaneously about dying and healing.
Curious to learn more about the relationships between art practice, dying, and healing, Gough imagines the five artists as wisdom teachers in a mystery school. In a series of eight lectures, she turns to performance theory to provide a framework for engaging with the unknown world. In Theatre and the Threshold of Death, Gough makes a persuasive argument for the world-making power of relational thinking in our increasingly polarized age.

Kathleen M. Gough is Associate Professor of English and an affiliated faculty member in the Theatre and Dance program at the University of Vermont, US. She was previously Associate Professor in the Department of Theatre at UVM (2014-22), US and a lecturer in Theatre Studies at the University of Glasgow (2006-2014), UK. Gough is the author of Kinship and Performance in the Black and Green Atlantic (2013) and the recipient of the 2014 Errol Hill Award from the American Society for Theatre Research (ASTR). She also received the 2017 Oscar G. Brockett Essay Prize from ASTR and the Oscar G. Brockett Center for Theatre History and Criticism at the University of Texas-Austin for “The Art of the Loop: Analogy, Aurality, History, Performance” (TDR 2016).

List of Figures
Acknowledgements
Introduction: A Visit to a Tomb
Lecture 1: Character Study
Lecture 2: Genre
Lecture 3. Gesture
Lecture 4: Alienation
Lecture 5: On Acting and Not Acting
Lecture 6: The Theatre and Its Double
Lecture 7: Duende, or Play and Death
Lecture 8: Theatron, the Seeing Place
Bibliography
Index

Erscheinungsdatum
Reihe/Serie Thinking Through Theatre
Zusatzinfo 15 bw illus
Verlagsort London
Sprache englisch
Maße 138 x 216 mm
Themenwelt Kunst / Musik / Theater Theater / Ballett
Schulbuch / Wörterbuch
ISBN-10 1-350-38551-4 / 1350385514
ISBN-13 978-1-350-38551-1 / 9781350385511
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
ein Handbuch für die Aus- und Weiterbildung

von Stephan Richter

Buch | Softcover (2024)
Henschel Verlag in E. A. Seemann Henschel GmbH & Co. KG
CHF 34,90
Tanzvisionär

von Stuttgarter Ballett

Buch | Hardcover (2023)
Henschel (Verlag)
CHF 68,60