Cinema and the Environment in Eastern Europe
Berghahn Books (Verlag)
978-1-80539-105-0 (ISBN)
Masha Shpolberg is Assistant Professor of Film and Electronic Arts at Bard College. She is currently at work on a book entitled Labor in Late Socialism: The Cinema of Polish Workers’ Unrest. In addition to this volume, she is also co-editor, with Anastasia Kostina, of Contemporary Russian Documentary, forthcoming from Edinburgh University Press.
List of Illustrations
Introduction
Masha Shpolberg and Lukas Brasiskis
Part I: Industrializing the Bloc: Cinema of the Socialist Period
Chapter 1. Sad Landscapes: Panoramic Photography and Documentary Film in the Czech Lands
Katie Trumpener and Alice Lovejoy
Chapter 2. From Mastery to Indistinction: Nature in Thaw-Era Cinema
Lida Oukaderova
Chapter 3. Spectres of Ecology in Cold War Soviet Science Fiction Film
Natalija Majsova
Part II: Environmental Crisis and the Nuclear Imaginary
Chapter 4. Post-Apocalyptic Landscapes: The End of August at the Hotel Ozone and the Czechoslovak New Wave
Barbora Bartunkova
Chapter 5. Fallow Fields: Crises of Masculinity and Ecology in Piotr Andrejew’s ‘Tender Spots’
Eliza Rose
Chapter 6. Catastrophe, Obliquely: The Revival of the Essay Film Form in Soviet Documentaries About Chernobyl
Masha Shpolberg
Part III: Animals Between the Natural and the Social
Chapter 7. Animals in Modernity: Shaping the Urban Landscape in Lithuanian Documentary
Natalija Arlauskaitė
Chapter 8. Mongrelizing Interpretation: The Animal in Contemporary Hungarian Cinema
Raymond DeLuca
Part IV: From Communism to Capitalism: Privatization and the Commons
Chapter 9. Okraina and ‘Oil Ontology’ in Post-Soviet Russian Cinema
José Alaniz
Chapter 10. The Commercialization and Destruction of Nature in Contemporary Bulgarian Cinema
Dina Iordanova
Part V: Towards an Eastern European Eco-cinema
Chapter 11. Coming to the Senses: Environmental Ethics in Contemporary Slovenian Cinema
Meta Mazaj
Chapter 12. Cinema of the Forest People: Environmental Consciousness, Authorship and Genre in Post-1989 Polish Film
Kris Van Heuckelom
Chapter 13. Beyond the Utopian Landscape in Post-Soviet Russian Cinema
Jeremi Szaniawski and Michael Cramer
Chapter 14. Recycling, Citroën Cars, and Roma Refugees in Boris Mitić’s Pretty Dyana (2003)
Alice Bardan
Chapter 15. From Water to Wind: Elemental Critique in Recent Eastern European Video Art
Lukas Brasiskis
Erscheinungsdatum | 19.09.2023 |
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Verlagsort | Oxford |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Naturwissenschaften ► Biologie ► Ökologie / Naturschutz | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Sozialwissenschaften ► Politik / Verwaltung ► Politische Systeme | |
Sozialwissenschaften ► Politik / Verwaltung ► Politische Theorie | |
ISBN-10 | 1-80539-105-4 / 1805391054 |
ISBN-13 | 978-1-80539-105-0 / 9781805391050 |
Zustand | Neuware |
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