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Dissection Photography - Brandon Zimmerman

Dissection Photography

Cadavers, Abjection, and the Formation of Identity
Buch | Hardcover
278 Seiten
2024
Bristol University Press (Verlag)
978-1-5292-2218-0 (ISBN)
CHF 149,95 inkl. MwSt
Featuring previously unseen images, stories and anecdotes, this book explores the visual culture of death and the gross anatomy lab through the tradition of dissection photography, examining its historical aspects from both photographic and medical perspectives.
Contemporary audiences are often shocked to learn that in the late 19th and early 20th centuries, medical students around the world posed for photographic portraits with their cadavers; a genre known as dissection photography.


Featuring previously unseen images, stories, and anecdotes, this book explores the visual culture of death within the gross anatomy lab through the tradition of dissection photography, examining its historical aspects from both photographic and medical perspectives.


The author pays particular attention to the use of dissection photographs as an expression of student identity, and as an evolving transgressive ritual intricately connected to, and eventually superseding, the act of dissection itself.

Brandon Zimmerman has worked as an exhibit developer, designer, curator, and consultant for numerous museums, libraries, and archives throughout the United States for 20 years. He holds an MA in Photographic Preservation and Collections Management from the University of Rochester.

Introduction: My Companions in Misery


1. The Stages of an Evolving Genre


2. Photography Is Dead


3. Defining Disgust: Abjection, Photography, and the Cadaver


4. Is Dissection Photography Really a Genre?


5. Iconographic Ambiguities


6. A Necessary Inhumanity


7. No One Ever Did: Dissection Photography and Female Identity


8. Of Sharp Minds and Sharpened Tools: Dissection Photography and the Ambiguity of the Scalpel


9. Flesh in the Age of Mechanical Reproduction


10. Location, Location, Location


11. Anatomical Deuteranopia


12. To Begin without Fear


13. The Cadaver as (Self-)Portrait


Conclusion: “Learning to Fight Death Next to Death Itself”

Erscheinungsdatum
Reihe/Serie Death and Culture
Zusatzinfo 25 Illustrations, black and white
Sprache englisch
Maße 156 x 234 mm
Themenwelt Kunst / Musik / Theater Fotokunst
Sozialwissenschaften Soziologie Mikrosoziologie
ISBN-10 1-5292-2218-4 / 1529222184
ISBN-13 978-1-5292-2218-0 / 9781529222180
Zustand Neuware
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