A Theory of Music Analysis
On Segmentation and Associative Organization
Seiten
2012
University of Rochester Press (Verlag)
978-1-58046-194-8 (ISBN)
University of Rochester Press (Verlag)
978-1-58046-194-8 (ISBN)
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A new theory of musical analysis from an award-winning author, with six detailed analyses of works from Beethoven to today.
This book introduces a theory of music analysis that one can use to explore aspects of segmentation and associative organization in a wide range of repertoire including Western classical music from the Baroque to the present, withpotential applications to jazz and popular music, and some non-Western musics. Rather than a methodology, the theory provides analysts with precise language and a broad, flexible conceptual framework through which they can formulate and investigate questions of interest and develop their own interpretations of individual pieces and passages. The theory begins with a basic distinction among three domains of musical experience and discourse about it: the sonic (psychoacoustic); the contextual (or associative, sparked by varying degrees of repetition); and the structural (guided by a specific theory of musical structure or syntax invoked by the analyst). A comprehensive presentationof the theory, with copious musical illustrations, is balanced with close analyses of works by Beethoven, Debussy, Nancarrow, Riley, Feldman, and Morris.
Dora A. Hanninen is professor of music theory at the Universityof Maryland. She received the 2010 Outstanding Publication Award from the Society for Music Theory.
This book introduces a theory of music analysis that one can use to explore aspects of segmentation and associative organization in a wide range of repertoire including Western classical music from the Baroque to the present, withpotential applications to jazz and popular music, and some non-Western musics. Rather than a methodology, the theory provides analysts with precise language and a broad, flexible conceptual framework through which they can formulate and investigate questions of interest and develop their own interpretations of individual pieces and passages. The theory begins with a basic distinction among three domains of musical experience and discourse about it: the sonic (psychoacoustic); the contextual (or associative, sparked by varying degrees of repetition); and the structural (guided by a specific theory of musical structure or syntax invoked by the analyst). A comprehensive presentationof the theory, with copious musical illustrations, is balanced with close analyses of works by Beethoven, Debussy, Nancarrow, Riley, Feldman, and Morris.
Dora A. Hanninen is professor of music theory at the Universityof Maryland. She received the 2010 Outstanding Publication Award from the Society for Music Theory.
Acknowledgments
Part One: Introduction
1. A Theory of Music Analysis
Part Two: Theory
2. Orientations, Criteria, Segments
3. Associative Sets and Associative Organization
Part Three: Six Analyses
4. Beethoven, Piano Sonata No. 2 in A Major, Op. 2, No. 2, I
5. Debussy, "Harmonie du soir," Cinq poèmes de Baudelaire, No. 2
6. Nancarrow, Study No. 37: Calibrated Canons, Changeable Landscapes
7. Riley, In C: Configurations and Landscape Studies of Select Plots
8. Feldman, Palais de Mari: Pattern and Design in a Changing Landscape
9. Morris, Nine Piano Pieces: Between Moment and Memory-Reflectionson and among the Nine
Part Four: Outward and Onward
10. Further Considerations and Extended Applications
Notes
Glossary
Bibliography
Index
Erscheint lt. Verlag | 15.12.2012 |
---|---|
Reihe/Serie | Eastman Studies in Music |
Zusatzinfo | 268 line. |
Verlagsort | Rochester |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 1 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
ISBN-10 | 1-58046-194-8 / 1580461948 |
ISBN-13 | 978-1-58046-194-8 / 9781580461948 |
Zustand | Neuware |
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