Nicht aus der Schweiz? Besuchen Sie lehmanns.de
On The Figure In General And The Body In Particular: - Nicole Brenez

On The Figure In General And The Body In Particular:

Figurative Invention In Cinema

(Autor)

Buch | Hardcover
260 Seiten
2023
Anthem Press (Verlag)
978-1-83998-780-9 (ISBN)
CHF 150,00 inkl. MwSt
  • Versand in 10-20 Tagen
  • Versandkostenfrei
  • Auch auf Rechnung
  • Artikel merken
Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes – especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organizes the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development…), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema.

Nicole Brenez is a professor of film studies at the University of Paris 3/Sorbonne Nouvelle and the Director of the Department “Analyse et Culture cinématographique” at Paris’ film school La Fémis since 2017. She has curated avant-garde film series at the Cinémathèquefrançaise since 1996 and is the author and editor of numerous books on film.  

Introduction; Part 1: Figurative Economies, 1. Why Must the Dead Be Killed?:Observations on John Woo, 2. Capitalism: Jack Smith, 3. “Unusual Approach to Bodies”: Robert Bresson with Jean Eustache, Philippe Garrel, and Monte Hellman,  4. Sketch/Skip/Excessive Synthesis: Jacques Tourneur’s Cat People, Dario Argento’s Suspiria, John McTiernan’s Predator; Part 2: Adventures of the Classical Body in Modern Cinema, 1. S.M. Eisenstein, Bella Figura, and Formal Deflagration, 2. Anti-Bodies: Instances of the Classical Body in the Work of Jean Genet, Rainer Werner Fassbinder, and Gus Van Sant, 3. Short-Circuit: Michael Cimino’s Heaven’s Gate; Part 3: New Abstractions in Figurative Invention, 1. The Contemporary Character, 2. The Being According to the Image: Orson Welles’s Citizen Kane, 3. “’Cause it sounds more French”: On a Secondary Character in Maurice Pialat’s Police, 4. Thefts: Robert Bresson’s Pickpocket; Part 4: Summonses – Figures of the Actor, 1. The Actor as Affective Citizen: Fassbinder’s Beware of a Holy Whore, 2. Lassie, Unfaithful to Dogs: Fred M. Wilcox’s Lassie Come Home, 3. “Die for Mr. Jensen”: John Cassavetes’s A Woman Under the Influence, 4. John Woo by John Woo: The Take and the Shot; Part 5: Image Circuits, 1. Travolta Himself: Dance and the Circulation of Images – Fantasy, Phantasm, and Phantasmata, 2. Thirst: Barbara Loden’s Wanda, 3. The Visual Study: The Forces of a Cinematic Form – Al Razutis, Ken Jacobs, Brian De Palma, 4. The First Shot: Philippe Garrel’s Liberté, la nuit, 5. Anti-Oedipus: John Woo’s Heroes Shed No Tears; Part 6: Theoretical Invention, 1. “As You Are”: Representation and Figuration – Questions of Terminology in the Work of Barthes, Eisenstein, Benjamin, and Epstein, 2. The Physics of Cinema: Introduction to the Literary and Filmic Oeuvre of Paul Sharits, 3. In the Meantime: Kirk Tougas’ The Politics of Perception, 4. Epilogue: The Accident; Bibliography; Index

Erscheinungsdatum
Übersetzer Ted Fendt
Verlagsort London
Sprache englisch
Maße 153 x 229 mm
Gewicht 454 g
Themenwelt Kunst / Musik / Theater Film / TV
ISBN-10 1-83998-780-4 / 1839987804
ISBN-13 978-1-83998-780-9 / 9781839987809
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
1931-2013 : Band II

von Hans Schmid

Buch | Hardcover (2023)
belleville (Verlag)
CHF 67,90
Filmtechnik, Bildgestaltung und emotionale Wirkung

von Hans-Jörg Kapp

Buch | Hardcover (2024)
Carl Hanser (Verlag)
CHF 62,95