Do the Right Thing (eBook)
Michael Wiese Productions (Verlag)
978-1-61593-351-8 (ISBN)
Do The Right Thing! offers screenwriting strategies that focus on diversity, equity and inclusion.
These are the five film that are discussed:
Moonlight,
Get Out,
Mudbound,
Roma, and
Always be My Maybe.
The goal is to teach an already challenging writing mode that requires screenwriters to create complex human experiences through visual storytelling. We are in a critical historical moment where the importance of screenwriting can be of the utmost usefulness in the observation of racism, inequity and inclusion in all media.
The screen representations of race, ethnicity, gender, sexuality or class are not often explicitly addressed at the “front end” of the film production process, specifically, during the creation of the screenplay (whether original or adapted from outside source material). The idea is to introduce and reinforce the importance of accountability for what you write for the screen. This is not to limit the screenwriter’s creative impulses, but rather to create and engage them in consistent ways that reveal unconscious biases and instances of systemic racism. We will use five case studies of commercially successful and award-winning screenplays that resist stereotypes to present multidimensional depictions of historically underrepresented groups, such as LGBTQ, African American, Latino and Asian American. In the discussions of each individual screenplay issues such as the adaptation process, plot structure and devices, characterization, setting, symbolism, and genre conventions are introduced and analyzed in depth.
TABLE OF CONTENTS:
CHAPTER ONE – MOONLIGHT (2016)
Getting to the universal from the specific
Adaptation of an unproduced play
Foregrounded three-part structure
Upends urban stereotypes
Effective use of symbolism
CHAPTER TWO – GET OUT (2017)
Conventions of the thriller/horror genre
Possibilities of a four-act structure
Premise and set up
Use of symbols from slavery
Critique of societal politics
CHAPTER THREE – MUDBOUND (2017)
Revisiting and Revising a historical moment
Dual protagonists – one black, one white
Two takes on World War II and its aftermath
Creative process resisted identity politics – embraced inclusive collaboration
CHAPTER FOUR – ROMA (2018)
Structured similar to a short story
Class, gender and systemic racism issues
Making a usually supporting role of a servant, the lead
Setting in the Colonia Roma neighborhood of Mexico City
Use of symbolism
CHAPTER FIVE – ALWAYS BE MY MAYBE (2019)
Conventions of the romantic comedy
Playing with Structure
Breaking free of racial stereotypes
Asian Americans are Americans not foreigners
Quirky and multidimensional characters
Inclusion of tragedy and resilience
True love in the final scene rather than just romance – twist on the typical rom com
Erscheint lt. Verlag | 6.9.2022 |
---|---|
Zusatzinfo | Black and white |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Schlagworte | Screenwriting, Diversity, Inclusion |
ISBN-10 | 1-61593-351-4 / 1615933514 |
ISBN-13 | 978-1-61593-351-8 / 9781615933518 |
Haben Sie eine Frage zum Produkt? |
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