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Music and Musicians at the Collegiate Church of St Omer - Andrew Kirkman

Music and Musicians at the Collegiate Church of St Omer

Crucible of Song, 1350–1550

(Autor)

Buch | Softcover
329 Seiten
2022
Cambridge University Press (Verlag)
978-1-108-81365-5 (ISBN)
CHF 47,90 inkl. MwSt
Northern France and the Low Countries formed the crucible of Europe's most sophisticated music in the later Middle Ages. That music and its makers were sought from France to Italy and Bohemia. Focusing on the rich musical institution of one wealthy medieval church, this book reveals the values and social structures that shaped its cultivation.
Music played an exceptionally important role in the late Middle Ages - articulating people's social, psychological and eschatological needs. The process began with the training of choirboys whose skill was key to institutional identity. That skill was closely cultivated and directly sought by kings and emperors, who intervened directly in recruitment of choirboys and older singers in order to build and articulate their self-image and perceived status. Using the documentation of an exceptionally well preserved archive, this book focuses on music's functioning in an important church in late Medieval Northern France. It explores a period when musicians from this region set the agenda across Europe, developing what is still some of the most sophisticated music in the Western musical tradition. The book allows a close focus not on the great achievements of those who cultivated this music, but on the personal motivations that shaped their life and work.

Andrew Kirkman is the Peyton and Barber Professor of Music at the University of Birmingham. He has published widely on English and Continental Music of the fifteenth century, with Cambridge and Oxford University Presses and in the top journals in the field. He is also conductor of the award-winning Binchois Consort, with which he has recorded twelve CDs on the Hyperion label.

Dedication; Acknowledgements; List of plates; Note on editorial policy, currency and dates; Prologue: Saint-omer and the growth of urban power; 1. The maîtrise; 2. Identities and career patterns; 3. Masters and master singers; 4. The organs; 5. The bells; 6. Loose canons? Music and the craft of ecclesiastical power; Epilogue. A cloistered art: connoisseurship and private music-making; Appendix. Documents pertaining to the suppression of benefices for the upkeep of the master and choirboys; Bibliography.

Erscheinungsdatum
Zusatzinfo Worked examples or Exercises; 1 Maps; 16 Halftones, black and white
Verlagsort Cambridge
Sprache englisch
Maße 170 x 244 mm
Gewicht 570 g
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
ISBN-10 1-108-81365-8 / 1108813658
ISBN-13 978-1-108-81365-5 / 9781108813655
Zustand Neuware
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