A History of Western Philosophy of Music
Seiten
2023
Cambridge University Press (Verlag)
978-1-108-49784-8 (ISBN)
Cambridge University Press (Verlag)
978-1-108-49784-8 (ISBN)
This book is a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Five chapters survey philosophy of music in the ancient, medieval, early modern, modern and contemporary periods. It will be valuable for undergraduate and advanced students, and scholars, in philosophy and musicology.
This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation to the other arts, the problem of opera, the origins of musical genius, music's emotional impact, the moral effects of music, the ontology of musical works, and the relevance of music's historical context. The volume will be valuable for students and scholars in philosophy and musicology, and all who are interested in the ways in which philosophers throughout history have thought about music.
This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation to the other arts, the problem of opera, the origins of musical genius, music's emotional impact, the moral effects of music, the ontology of musical works, and the relevance of music's historical context. The volume will be valuable for students and scholars in philosophy and musicology, and all who are interested in the ways in which philosophers throughout history have thought about music.
James O. Young is Professor of Philosophy at the University of Victoria. His books include Art and Knowledge (2001), Cultural Appropriation and the Arts (2008), and Critique of Pure Music (2014) and Radically Rethinking Copyright in the Arts (2020).
1. The Ancient World; 2. The Middle Ages; 3. The Early Modern Period: 1500–1800; 4. The Modern Period: 1800–1950; 5. The Contemporary Period.
| Erscheinungsdatum | 06.02.2023 |
|---|---|
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 158 x 235 mm |
| Gewicht | 720 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Geisteswissenschaften ► Philosophie | |
| ISBN-10 | 1-108-49784-5 / 1108497845 |
| ISBN-13 | 978-1-108-49784-8 / 9781108497848 |
| Zustand | Neuware |
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