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Shakespeare's Accents - Sonia Massai

Shakespeare's Accents

Voicing Identity in Performance

(Autor)

Buch | Softcover
250 Seiten
2022
Cambridge University Press (Verlag)
978-1-108-45461-2 (ISBN)
CHF 42,90 inkl. MwSt
Focusing on the vocal dimensions of Shakespearean performance, this book will appeal to scholars and students interested in the history of the reception of Shakespeare on the English stage, as well as theatre performance and voice studies students, and to theatre artists and funders interested in enhancing inclusion and diversity.
Voices and accents are increasingly perceived as central markers of identity in Shakespearean performance. This book presents a history of the reception of Shakespeare on the English stage with a focus on the vocal dimensions of theatrical performance. The chapters identify key moments when English accents have caused controversy, if not public outrage. Sonia Massai examines the cultural connotations associated with different accents and how accents have catalysed concerns about national, regional and social identities that are (re)constituted in and through Shakespearean performance. She argues that theatre makers and reformers, elocutionists and historical linguists, as well as directors, actors and producers have all had a major impact on how accents have evolved and changed on the Shakespearean stage over the last four hundred years. This fascinating book offers a rich historical survey alongside close performance analysis.

Sonia Massai is Professor of Shakespeare Studies at King's College London and has published widely on the history of the transmission of Shakespeare on the stage and on the page. Her publications include World-Wide Shakespeares: Local Appropriations in Film and Performance (2005), Shakespeare and the Rise of the Editor (Cambridge, 2007), collections of essays on Ivo van Hove: From Shakespeare to David Bowie (2018), Shakespeare and Textual Studies (Cambridge, 2015) and critical editions of John Ford's 'Tis Pity She's a Whore (2011) and The Paratexts in English Printed Drama to 1642 (Cambridge, 2014).

1. 'Accents yet unknown': the changing soundscape of Shakespeare in contemporary performance; 2. 'Lend me your Ears': experiments with original pronunciation; 3. David Garrick's 'sonic revolution': hegemony and protest, 1737–1843; 4. 'Usual speech' and 'barbarous dialects' on the early modern stage.

Erscheinungsdatum
Zusatzinfo Worked examples or Exercises; 11 Halftones, black and white
Verlagsort Cambridge
Sprache englisch
Maße 152 x 229 mm
Gewicht 343 g
Themenwelt Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-108-45461-5 / 1108454615
ISBN-13 978-1-108-45461-2 / 9781108454612
Zustand Neuware
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