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TALADIDDLE

Konnakol meets Rudimental Drumming | The rhythmical language of South India is combined with snare-drum rudiments | A book for drummers, percussionists and rhythm enthusiasts
Buch | Softcover
160 Seiten | Ausstattung: Audio-CD & Poster
2022
Alfred Music Publishing (Verlag)
978-3-947998-37-1 (ISBN)
CHF 35,90 inkl. MwSt
Konnakol is one of the most effective ways of learning and mastering rhythm – and rudiments form an essential vocabulary of Western drumming. Both traditions can be counted among the most ancient and highly developed rhythm concepts across the world and are additionally useful methodical tools.
The beauty of both konnakol and rudiments is their simplicity and clarity. Both concepts help us to memorize an extensive rhythmic vocabulary, visualize patterns and compositions and plan ahead mentally during performance. They enable us to cross borders, illuminating new paths towards rhythmic creativity and improvisation in any musical genre.
This thorough and clear introduction to South Indian rhythms containing 26 selected pieces – ranging from easy to complex – demonstrates how the two rhythmic cultures blend with one another, enrich each other reciprocally and provide access to new musical worlds.
TALADIDDLE is thereby creating a bridge between these previously unconnected worlds which however display so many common factors and parallels.

Claus Hessler's name stands for top-level instrumental standards in the fields of Moeller technique, rudiments, coordination and open-handed playing combined with a wide-ranging musical and stylistic spectrum and an encyclopedic knowledge of percussion across the board. On his many tours abroad he has given guest lectures and held master classes with globally renowned institutes and drum events in around 40 countries. In Germany, Claus Hessler teaches at the Frankfurt University of Music and Performing Arts, the University of Popular Music and Music Business in Mannheim and the Music College Dinkelsbuehl. Internationally renowned drummers such as David Garibaldi, Daniel Adair and Anika Nilles greatly value his expertise communicated in his private teaching activities. He is breaking new ground in education with his online platform openmindeddrumming.com.

Claudio Spieler is a versatile Austrian percussionist especially skilled at kanjira and konnakol. He performs at festivals and venues from Havana to Reykjavik and teaches at drum camps and universities all over Europe. After graduating cum laude in classical percussion and eight years of intensive study with the renowned percussionist Hakim Ludin, he is now a student of Indian kanjira master Selvaganesh Vinayakram. As a solo artist and as part of several international projects his specializations include South Indian and Latin music, flamenco and interactive concerts for kids. Claudio‘s style of playing is subtle, imaginative, humorous and above all virtuoso, radiating the pure pleasure of making music. TALADIDDLE is his first book.

Erscheinungsdatum
Übersetzer Lindsay Chalmers-Gerbracht
Zusatzinfo 8 Fotos, 17 Illustrationen
Verlagsort Köln
Sprache englisch
Original-Titel TALADIDDLE
Maße 230 x 305 mm
Gewicht 500 g
Themenwelt Kunst / Musik / Theater Musik Instrumentenunterrricht
Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Schlagworte 3er Ruf • 5er Ruf mit Schlepp • Adi Tala • Akshara • Anga • Anudrutam • Arudi • Avarta • Baratha Natyam • Bataflafla • baton melée • Beat • Buzz Roll • call of 3 • call of 5 • Carnatic music • Chapu Talas • Chatusra • Chatusra Jathi • Chatusram • Chatusra Nadai • closed roll • collapsed rudiment • common factors of konnakol and rudiments • Coup de Charge • Damaru • Doublé • double-drag tap • Drum Pad • Drutam • Eka Tala • European rudimental tradition • expanded rudiment • Farans • Final of 7 • Finger counts • Flam • Flam Accent • flam paradiddle • Flam Tap • Gati • Grace note • Guru-Shishya-Parampara • half drag • inward paradiddle • Jathi • Kanjira • Khanda • Khanda Jathi • Khanda Nadai • Konnakol • konnakol figures • konnakol method • konnakol motifs • konnakol patterns • Koraippu • Korvai • Laghu • Locke • Manjira • method for konnakol and drum pad • method for konnakol and snare drum • Mill • misra • Misra Chapu Tala • Misra Jathi • Misra Nadai • MORA • moulin • Mridangam • Mühle • music for konnakol and drum pad • music for konnakol and rudiments • music for konnakol and snare drum • music for syllabic language and drum pad • music for syllabic language and snare drum • nadai • Natya Sastra • Open Roll • ordonnance triplet • Paradiddle • parallels between konnakol and rudiments • pataflafla • percussion pieces for konnakol and drum pad • percussion pieces for konnakol and rudiments • percussion pieces for konnakol and snare drum • Purvanga • Ra de Trois • Ratamacue • reciting rhythmic language • rhythm concepts • rhythmic language • rhythmic vocabulary • Rigodon • Rudiment • Rudimental Codex • Rudimental Drumming • rudimental figures • rudimental motifs • rudimental patterns • Rupaka Tala • SAM • Sankirna • Sankirna Jathi • Sankirna Nadai • Sanskrit • Sapta Talas • Sarvalaghu • Schlepp • Schleppmühle • Schlepptriole • single-drag tap • single-flammed mill • Snare Drum • Solkattu • speaking rhythmic language • Suladi Sapta Talas • Swiss Army Triplet • Swiss tradition • syllabic language • Tagwacht • Tagwachtstreich • Tala • Talam • Tala Vadya • Tamil • the bridge between konnakol and rudiments • The rhythmic language of South India • Tisra • Tisra Jathi • Tisram • Tisra Nadai • to memorize rhythms • Trikalam • Triputa Tala • tutor for konnakol and rudiments • Umgekehrter Tagwachtstreich • Uttaranga • Wave
ISBN-10 3-947998-37-6 / 3947998376
ISBN-13 978-3-947998-37-1 / 9783947998371
Zustand Neuware
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