Transmedia Practices in the Long Nineteenth Century
Routledge (Verlag)
978-1-032-12084-3 (ISBN)
By exploring engagement tactics and forms of audience participation, the book affords insight into the role that social agents – e.g., individual authors, publishing houses, theatre show producers, lithograph companies, toy manufacturers, newspaper syndicates, or advertisers – played in the production, distribution, and consumption of Victorian media. It considers such examples as Sherlock Holmes, Kewpie Dolls, media forms and practices such as cut-outs, popular lectures, telephone conversations or early theater broadcasting, and such authors as Nellie Bly, Mark Twain, and Walter Besant, offering insight into the variety of transmedia practices present in the long nineteenth century.
The book brings together methods and theories from comics studies, communication and media studies, English and American studies, narratology and more, and proposes fresh ways to think about transmediality. Though the target audiences are students, teachers, and scholars in the humanities, the book will also resonate with non-academic readers interested in how media contents are produced, disseminated, and consumed, and with what implications.
Christina Meyer is Associate Professor of American Studies, currently working at the TU Braunschweig, Germany. She is the author of Producing Mass Entertainment: The Serial Life of the Yellow Kid (2019). Monika Pietrzak-Franger is Professor of British Cultural and Literary Studies at the University of Vienna, Austria. She has published on adaptation, transmediality, medicine and culture, (neo-)Victorianism, science, and globalization.
Foreword by Matthew Freeman; 1.Nineteenth-Century Transmedia Practices: An Introduction; Part I: Technology, Culture, Democracy; 2. Literary Events and Real Policies: The Transmedia Cases of Walter Besant’s All Sorts and Conditions of Men (1882) and George Chesney’s The Battle of Dorking (1871); 3. Telephonic Conversations: The Phone and Transmedia Competition in the Culture of the Progressive Era; 4. Transmedial Experience in Nineteenth-Century Live Theater Broadcasting; 5. Rose O’Neill’s Kewpies and Early Transmedia Practices; Part II: Crossroads of Fact and Fiction; 6. Transmedia Practices Toward a Popular Cultural Sphere: Lippard, Thompson, and Nineteenth-Century Serialities; 7. “She Lectured and Attended Lectures”: Transmedia Practices and Female Vocality in Late-Nineteenth-Century Cultures of Public Lecturing and Mass Print; 8. Mobilizations: How Nellie Bly Traveled the World; Part III: Transmedia Sherlock; 9. “To just steal the name of a character”: Arthur Conan Doyle, Sherlock Holmes and the Conditions of Transmedia Dispersion; 10. Creating Transmedia Fan Engagement in Victorian Periodicals: The Case of Sherlock Holmes
| Erscheinungsdatum | 07.02.2022 |
|---|---|
| Reihe/Serie | Routledge Advances in Transmedia Studies |
| Zusatzinfo | 2 Halftones, black and white; 2 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater |
| Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-032-12084-3 / 1032120843 |
| ISBN-13 | 978-1-032-12084-3 / 9781032120843 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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