Image, Text, Stone
Intermedial Perspectives on Graeco-Roman Sculpture
Seiten
2022
De Gruyter (Verlag)
978-3-11-077569-3 (ISBN)
De Gruyter (Verlag)
978-3-11-077569-3 (ISBN)
Die Reihe Materiale Textkulturen ist das Publikationsorgan des gleichnamigen Heidelberger Sonderforschungsbereichs 933, der von der Deutschen Forschungsgemeinschaft gefördert wird. In der Reihe erscheinen Sammelbände und Monographien, die sich den Forschungsschwerpunkten des SFB widmen, also die Materialität und Präsenz des Geschriebenen in non-typographischen Gesellschaften erforschen.
This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and ‘decorative’ marble-objects, and through its methodological emphasis on ‘close viewing’ (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its ‘long life’, the viewing and ‘reading’ of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context.
This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and ‘decorative’ marble-objects, and through its methodological emphasis on ‘close viewing’ (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its ‘long life’, the viewing and ‘reading’ of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context.
Nikolaus Dietrich and Johannes Fouquet, University of Heidelberg, Heidelberg, Germany.
Erscheinungsdatum | 10.05.2022 |
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Reihe/Serie | Materiale Textkulturen ; 36 |
Zusatzinfo | 97 b/w and 25 col. ill., 1 b/w tbl. |
Verlagsort | Berlin/Boston |
Sprache | englisch |
Maße | 170 x 240 mm |
Gewicht | 1046 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Geschichte ► Allgemeine Geschichte ► Altertum / Antike | |
Schlagworte | Bildwissenschaft • Greek epigraphic • Greek sculpture • Griechische Epigraphik • Griechische Plastik • Text-Image Studies • Visual Studies |
ISBN-10 | 3-11-077569-7 / 3110775697 |
ISBN-13 | 978-3-11-077569-3 / 9783110775693 |
Zustand | Neuware |
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