Gegliederte Zeit
15. Jahreskongress der Gesellschaft für Musiktheorie Berlin 2015.
Seiten
Contents: Kaiser: From Sequence to Cadenza. On the history of the development of punctuation in sonata music Jeßulat: Urchoräle Bahr: Das Vorspiel zu den Meistersingern, 3. Akt, und Bachs Fuga in g, BWV 861 Chernova: Die fünfte Klaviersonate op. 53 (1907) - das letzte 'tonale' Werk Skrjabins? Schreiber: Contemporary composers and the repertoire of the Viennese classics Habryka: The influence of canon models on fundamental progressions Hardt: Vivaldi and the building block principle Sprick: Reflections on the opening turn of Bach's Suite for Violoncello solo, BWV 1011 Reichel: Dramaturgical and harmonic contrapuntal timing in Mozart's stage works Venegas: The Bruckner Challenge: The Third Symphony's Slow Movement(s) Komatovic: Exemplary Investigations of Late Tonal Phenomena in the Works of César Franck Reutter: 'Alla napolitana' oder Abschiedsgestus. A 'Satzmodell' in Stravinsky? Holm: The shaping of time in the art of interpretation by Wilhelm Furtwängler Zuvela: The 'golden section' and the Fibonacci sequence as patterns of time division in 20th century music Olive: Temporal dimensions and expressive processes in Pierrot Lunaire of Arnold Schoenberg Schmidt: Polyphony or counterpoint Dreps: Theme with variables. On the Phenomenology of Jazz Composition and Musical Analysis Temes: Bending the Arrow of Time. Ligeti's Ametric Clocks Knowles: Meter and Memory in George Crumb's Dream Images from Makrokosmos Volume 1 Andreatta: On Two Computational Models of the Pitch-Rhythm Correspondence: A Focus on Milton Babbitt's and Iannis Xenakis's Theoretical Constructions Barthel-Calvet: Categories of Rhythmic Organisation in Xenakian Textures Poller: Macro- und Mikrozeit. On the Temporality of Contemporary Music Gatz: On the Articulation of Time in Chaya Czernowin's Ensemble Piece Lovesong Farolfi: Modernism in the Writings of Pierre Boulez, 1948-1952 Hyun Kim: Rhythm as an Experienced Phenomenon Foot: The Musical Work-Whole - a Purely Theoretical Construct? Jerrold Levinson's Music in the Moment Pawlowska: Narrative and Time in Music: A Few Insights Zenkin: Time as the Material and Idea of Music Polak: Non-Isochronous Meter Is Not Irregular: A Review of Theory and Evidence Goldberg: Timing of Unequal Beats in Bulgarian Drumming Holzapfel: A Corpus Study on Rhythmic Modes in Turkish Makam Music and Their Interaction with Meter Guillot: Multi-level Anisochrony in Afro-Brazilian music London: Response to Goldberg, Holzapfel, and Guillot Maschke: From Leonin and Perotin to the 'Death of the Author'.Current Notre Dame Research Sprau: On the Realisation of Linguistic Accent Patterns in Settings of Latin Poetry Bassani: On the History of Interpretation of Loewe's The Clock since the Beginnings of Sound Recording Grabow: Vogler's Theory of Modulation in Current Theory Teaching Mooiman: Commonplacing: On Historically Inspired Improvisation and Music Theory Winter: Grund-, Sext-, Sext-, Grund- ... Ein Vergleich von oktavregelähnlichen Systemen vor 1716 Graybill: Drawing Inspiration from Europe: A Three-Pronged Approach to Keyboard Pedagogy.
| Erscheinungsdatum | 08.10.2020 |
|---|---|
| Zusatzinfo | mit zahlreichen Abb. |
| Sprache | englisch; deutsch |
| Maße | 170 x 240 mm |
| Gewicht | 1214 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Schlagworte | Musikanalyse • Musiktheorie • Musikwissenschaft |
| ISBN-10 | 3-487-15891-4 / 3487158914 |
| ISBN-13 | 978-3-487-15891-4 / 9783487158914 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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Buch | Softcover (2021)
Philipp Reclam (Verlag)
CHF 12,90
