Theatre Props and Civic Identity in Athens, 458-405 BC
Bloomsbury Academic (Verlag)
978-1-350-18647-7 (ISBN)
The exploration of the ‘stage lives’ of these objects across comedy, tragedy, and satyr drama reveals much about generic interdependence and distinction. Meanwhile the consideration of iconography representing the objects’ lives outside the theatre sheds light on drama’s powerful interplay with art. Essential reading for scholars and students of ancient Greek history, culture, and drama, the innovative approach and insightful analysis contained in this volume will also be of interest to researchers in the fields of Theatre Studies, Art History, and Cultural Studies.
Rosie Wyles is Senior Lecturer in Classical History and Literature at the University of Kent, UK. Her research interests and publications focus on the performance of Greek drama and its reception, including her monograph Costume in Greek Tragedy (2011).
List of Illustrations
List of Abbreviations
Acknowledgements
Introduction Propping up Athens
Chapter 1 Casting votes in Athens
Chapter 2 Trialling Props on stage
I The Oresteia’s appropriation of voting urns and pebbles
II Dramatic retrials after 458 BC
Chapter 3 A Weapon of Democracy
Chapter 4 Swords drawn on the tragic stage
I The Oresteia’s tyrant slayers
II Ajax’s battlefield sphagia
Chapter 5 Swords redrawn on stage
I The comic re-drawing of swords
II Swords redrawn again in Phoenician Women
Chapter 6 The Mask in hand
I Society
II Theatre
Conclusion Evaluating Objects
Appendix Clytemnestra’s sword in the Oresteia
Notes
Bibliography
Index
Erscheinungsdatum | 06.04.2022 |
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Zusatzinfo | 25 bw illus |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Kunst / Musik / Theater ► Theater / Ballett | |
Geschichte ► Allgemeine Geschichte ► Altertum / Antike | |
ISBN-10 | 1-350-18647-3 / 1350186473 |
ISBN-13 | 978-1-350-18647-7 / 9781350186477 |
Zustand | Neuware |
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