Painting in Stone
Architecture and the Poetics of Marble from Antiquity to the Enlightenment
Seiten
2020
Yale University Press (Verlag)
978-0-300-24816-6 (ISBN)
Yale University Press (Verlag)
978-0-300-24816-6 (ISBN)
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A sweeping history of premodern architecture told through the material of stone
Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Fabio Barry is assistant professor in the Department of Art and Art History at Stanford University.
| Erscheinungsdatum | 07.10.2020 |
|---|---|
| Zusatzinfo | 215 color + 117 b-w illus. |
| Sprache | englisch |
| Maße | 216 x 279 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Technik ► Architektur | |
| Technik ► Bauwesen | |
| ISBN-10 | 0-300-24816-4 / 0300248164 |
| ISBN-13 | 978-0-300-24816-6 / 9780300248166 |
| Zustand | Neuware |
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