Serial Shakespeare
An Infinite Variety of Appropriations in American Tv Drama
Seiten
2020
Manchester University Press (Verlag)
978-1-5261-4231-3 (ISBN)
Manchester University Press (Verlag)
978-1-5261-4231-3 (ISBN)
This book explores Shakespeare’s presence in the American cultural imaginary at the beginning of the twenty-first century. It traces how his texts are disseminated and reassembled in contemporary TV shows such as The Wire, Deadwood, Westworld, House of Cards and The Americans. -- .
Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare’s preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary. -- .
Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare’s preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary. -- .
Elisabeth Bronfen is Professor of English and American Studies at the University of Zurich and Global Distinguished Professor at New York University -- .
Introduction: appropriation, dislocation, and crossmapping
1 Shakespeare’s spectres: Westworld
2 Wearing the crown: The Wire
3 Choosing our queen: a series of first female presidents from Commander in Chief to House of Cards
4 Rogue queens: Veep, Homeland, and Scandal
5 All the frontier’s a stage: Deadwood
6 Carnival of spies: The Americans
Bibliography
Index -- .
| Erscheinungsdatum | 10.05.2021 |
|---|---|
| Reihe/Serie | Manchester University Press |
| Zusatzinfo | 18 black & white illustrations |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 540 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-5261-4231-7 / 1526142317 |
| ISBN-13 | 978-1-5261-4231-3 / 9781526142313 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Poetik eines sozialen Urteils
Buch | Hardcover (2023)
De Gruyter (Verlag)
CHF 83,90
Entzauberung und Faszination des Immergleichen in Literatur und Film
Buch | Softcover (2024)
Springer Fachmedien Wiesbaden GmbH (Verlag)
CHF 118,95
Buch | Softcover (2024)
belleville (Verlag)
CHF 27,95
