Music and the Environment in Dystopian Narrative
Springer International Publishing (Verlag)
978-3-030-13196-8 (ISBN)
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Heidi Hart teaches German and culture courses at Utah State University, USA. She is also a Pushcart Prize-winning poet and singer.
1. Chapter 1 Introduction
1.1 Sounding the Anthropocene
1.2 A Critical-performative approach
1.3 From Space Opera to Mahagonny
1.4 Conclusion
2. Chapter 2 Mozart in Space: A Love Story
2.1 Voice in the Machine
2.2 Messenger, Trace, Story
2.3 Mozart on the Bus
2.4 Conclusion
3. Chapter 3 Apocalyptic Body Song: The Book of Joan
3.1 Musical Novels
3.2 Violence and the Female Voice
3.3 Evoking the Earworm
3.4 A Sonic Cluster Bomb
3.5 Conclusion
4. Chapter 4 Fossil Opera: Persephone in the Late Anthropocene
4.1 Persephone's "Fall"
4.2 Kickstarter Opera
4.3 Ruined Words
4.4 Conclusion
5. Chapter 5 Mozart on Ice: Expedition to the End of the World
5.1 Mozart as Montage
5.2 Fossil Music
5.3 Diegesis and Paratext
5.4 Conclusion
6. Chapter 6 Sounding the Hurricane: Mahagonny
6.1 Trouble in Amerika
6.2 Vegas in Berlin
6.3 Music As Destroying Angel
6.4 Conclusion
7. Chapter 7 Conclusion: Topical and Indigenous Perspectives
Erscheinungsdatum | 26.11.2019 |
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Reihe/Serie | Palgrave Studies in Music and Literature |
Zusatzinfo | XII, 100 p. |
Verlagsort | Cham |
Sprache | englisch |
Maße | 148 x 210 mm |
Themenwelt | Kunst / Musik / Theater ► Musik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Schlagworte | Anthropocene • Dystopian literature • Environmental Humanities • Environmental Literature • musicology • music studies • narrative • post-apocalyptic • Sound Studies |
ISBN-10 | 3-030-13196-3 / 3030131963 |
ISBN-13 | 978-3-030-13196-8 / 9783030131968 |
Zustand | Neuware |
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