Aberrant Nuptials
Leuven University Press (Verlag)
978-94-6270-202-8 (ISBN)
Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book--architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers--map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, and by established Deleuze scholars who have been working on interferences between art and philosophy, this volume reflects the current relevance of artistic research and Deleuze studies for the arts.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward Campbell (University of Aberdeen / Centre for Modern Thought), Marianna Charitonidou (University of Paris West Nanterre / National Technical University of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University of Kent), Zornitsa Dimitrova (University of Munster), Lilija Duobliene (University of Vilnius), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist, painter, theorist), Henrik Frisk (Royal Academy of Music Malmoe), jan jagodzinski (University of Alberta), Oleg Lebedev (Universite Catholique de Louvain), Gustavo Penha (University of Sao Paulo), Katie Pleming (King's College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University of Trieste), Tero Nauha (Helsinki Collegium), Stefan OEstersjoe (Orpheus Institute), Simon O'Sullivan (theorist, artist), Antonia Pont (Deakin University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), Janae Sholtz (Alvernia University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone Zukauskaite (Lithuanian Culture Research Institute).
In collaboration with Orpheus Institute
Paolo Giudici is a philosopher and photographer (Royal College of Art London, UK), and Associated Researcher at the Orpheus Institute.
Introduction
Paulo de Assis
Part 1: Sonic Nuptials: Sounds and Gestures of Time
Deleuze’s Syntheses of Time and Their Aesthetical Prolongations: Form, Style, and Achievement
Jean-Marc Chouvel
When Sounds Encounter One Another . . .
Zsuzsa Baross
Geomusic, Ecosophy, and Molecular Oscillators
Ronald Bogue
East Meets West in France: Catching the Musical Scent
Edward Campbell
Topography of the (One): Reflections on Musical Time in Composition and Performance
Stefan Östersjö, Christer Lindwall, Jörgen Dahlqvist
In the (Immanent) Event of Musical-Philosophical Thought
Steve Tromans
Music as a Reservoir of Thought’s Materialisation: Between Metastaseis and Modulor
Marianna Charitonidou
Machinic Propositions: Artistic Practice and Deterritorialisation
Henrik Frisk, Anders Elberling
A Ligetian Way to Make a Piano (or a Piano Piece) Stutter
Gustavo Rodrigues Penha
When Time Begins To Riot: Rhythm and Syncopation in the Work of Jonathan Burrows and Matteo Fargion
Jonas Rutgeerts
Anne Teresa De Keersmaeker: An Unbridled Activity of Vital Lines
Oleg Lebedev
Sonic Forms of Capture
Terri Bird
Part 2: A Little Treatise on Becomology
The Wasp and the Orchid: On Multiplicities and Becomology
Anne Sauvagnargues
Beyond the Death-Drive, beyond the Life-Drive: Being-toward-Birthing with Being-toward-Birth; Copoiesis and the Matrixial Eros—Metafeminist Notes
Bracha L. Ettinger
Thought beyond Research: A Deleuzian Critique of Artistic Research
Kamini Vellodi
An Avant-Garde “Without Authority”: The Posthuman Cosmic Artisan in the Anthropocene
jan jagodzinski
Pure Immanence and the Algorithmic Era: An Aberrant Nuptial
Emilia Marra
Mining the Aesthetico-Conceptual: Deleuze, Derrida, and Artistic Research
Spencer Roberts
Experimenting in Relation to the Anthropocene: An Image of Earth-Thought from a Symptomatic Earth Line
Paolo Vignola
Logic of Sens/ation: Two Conflicting Conceptions of Transdisciplinarity in Deleuze and Guattari
Guillaume Collett
Listening for a New Body: Thinking Change and Learning Reason with Difference and Repetition and Spinoza: Practical Philosophy
Antonia Pont
Outside-Interior: ?Interior
Suzie Attiwill
Encountering Fashion as a Practice of Subjectivation
Andrea Eckersley
A Theory of Becoming: Artistic Spatio-Temporal Experiences after Gilles Deleuze, Alain Badiou, and Brian Massumi
Liana Psarologaki
Part 3: A Garden of Small Nuptials: Images, Movement, and Fabulations
Mythopoesis, Fabulous Images, and Memories of a Sorcerer
Simon O’Sullivan
The Philosopher as a Line: A Deleuzian Perspective on Drawing and the Mobile Image of Thought
Janae Sholtz
For a Future of the Face: Faciality and Performance in the Dance of Marlene Monteiro Freitas
Lucia D’Errico
Elegy to an Oz Republic: First Steps in a Ceremony of Invocation towards Reconciliation
Barbara Bolt
Sound and Image in Artistic Flooding: Vladimir Tarasov, Bill Viola
Lilija Duobliene
Fictioning a Thought of Performance
Tero Nauha
Milieus of Locality: The Aesthetic of the Point of View
Sara Baranzoni
“A Life as an Open Landscape”: Systems of Codetermination in Three Robotic Shows
Zornitsa Dimitrova
Interspecies Sonification: Deleuze, Ruyer, and Bioart
Audronė Žukauskaitė
Desire, Temporality, “Liquid Perception”: Deleuze and the Films of Marguerite Duras
Katie Pleming
Photogenesis—Brokering World
Peter Burleigh
Sculpture Installation: Garden of Small Nuptials
Elizabeth Presa
Appendix
Notes on Contributors
Index
| Erscheinungsdatum | 10.05.2021 |
|---|---|
| Reihe/Serie | Orpheus Institute Series |
| Verlagsort | Leuven |
| Sprache | englisch |
| Maße | 195 x 285 mm |
| Gewicht | 1670 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| ISBN-10 | 94-6270-202-0 / 9462702020 |
| ISBN-13 | 978-94-6270-202-8 / 9789462702028 |
| Zustand | Neuware |
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