Dada Magazines
The Making of a Movement
Seiten
2021
Bloomsbury Visual Arts (Verlag)
978-1-5013-4266-0 (ISBN)
Bloomsbury Visual Arts (Verlag)
978-1-5013-4266-0 (ISBN)
Dada magazines made Dada what it was: diverse, non-hierarchical, transnational, and defiant of the most fundamental artistic conventions. This book, the first of its kind to critically examine the place of Dada periodicals within the art movement, redefines the story of Dada by demonstrating the centrality of these graphically inventive, provocative periodicals: Dada, New York Dada, Dada Jok, and dozens more that began crossing enemy lines during World War I.
Including magazines from the well-known Dada cities of New York and Paris, as well as the lesser-known cities of Zagreb and Bucharest, the book reveals that Dada continued to inspire art journals well into the 1920s. Anchored in close material analysis within a historical and theoretical framework, Dada Magazines models a novel, multifaceted methodology for assessing many kinds of periodicals. The book traces how the Dadaists—Marcel Duchamp, Tristan Tzara, Dragan Aleksic, Hannah Höch, and many others—compiled, printed, distributed, and exchanged these publications. At the same time, it recognizes the journals as active agents that engendered the Dada network, and its thematic, chronological structure captures the constant exchanges that took place in this network. With in-depth scrutiny of these magazines—and 1970s “Dadazines” inspired by them—Dada Magazines is a vital source in the histories of art and design, periodical studies, and modernist studies.
Including magazines from the well-known Dada cities of New York and Paris, as well as the lesser-known cities of Zagreb and Bucharest, the book reveals that Dada continued to inspire art journals well into the 1920s. Anchored in close material analysis within a historical and theoretical framework, Dada Magazines models a novel, multifaceted methodology for assessing many kinds of periodicals. The book traces how the Dadaists—Marcel Duchamp, Tristan Tzara, Dragan Aleksic, Hannah Höch, and many others—compiled, printed, distributed, and exchanged these publications. At the same time, it recognizes the journals as active agents that engendered the Dada network, and its thematic, chronological structure captures the constant exchanges that took place in this network. With in-depth scrutiny of these magazines—and 1970s “Dadazines” inspired by them—Dada Magazines is a vital source in the histories of art and design, periodical studies, and modernist studies.
Emily Hage is Associate Professor of Art History, Saint Joseph's University, USA.
List of Plates
List of Figures
Acknowledgements
Introduction
1. An Extraordinary Opportunity to be Denounced as a Wit: How Magazines Launched ‘Dada,’ 1916-1917
2. ‘Every page must explode’: Dada Magazines as Exhibition Venues, 1918-1919
3. Printing Artworks, Exhibiting Ephemera: Dada Journals and Exhibitions, 1920-1921
4. ‘Be on your guard, Madam’: New York Dada and the Magazine as Readymade, 1921
5. Contingency and Continuity: Dada Magazines and the Expanding Network, 1922-1926
Epilogue: Magazines to Zines: Echoes of Dada in 1970s America
Bibliography
Index
| Erscheinungsdatum | 29.01.2021 |
|---|---|
| Zusatzinfo | 10 colour and 58 bw illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 706 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| ISBN-10 | 1-5013-4266-5 / 1501342665 |
| ISBN-13 | 978-1-5013-4266-0 / 9781501342660 |
| Zustand | Neuware |
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